How Dead Languages Work (C.H.) George, Pp. i–viii + 224. Oxford: Oxford University Press, 2020. Hardback, £21.99. ISBN: 978-0198852827 by Jerome Moran

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Rethinking “culture”: A cultural-materialist account of social space by Marie Moran

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Texts, Editors, and Readers. Methods and Problems in Latin Textual Criticism (R.) Tarrant, Pp. xii + 192. Cambridge: Cambridge University Press, 2016. Paper; £22.99. ISBN: 978-0-51... by Jerome Moran

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Patrick Moran, Lectures cycliques : le réseau inter-romanesque dans les cycles du Graal du xiiie siècle by Patrick Moran

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Epidemiologic characteristics of early cases with 2019 novel coronavirus (2019-nCoV) disease in Korea by Moran Ki

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Spoken Latin in the Late Middle Ages and Renaissance by Jerome Moran

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Now you saw it, now you didn't: the perception and reception of word order in ancient Greek and Latin texts by Jerome Moran

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Review of Building teaching and learning communities: Creating shared meaning and purpose by Cristy Moran

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As clear as Herculaneum mud: a plea for clarity by Jerome Moran

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Vengeance deferred: Children in selected short stories of Saki. by Sean Moran

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Review of Supporting today’s students in the library: Strategies for retaining and graduating international, transfer, first-generation, and re-entry students by Cristy Moran

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Encountering the Goddess in the Indian Himalaya: On the Contribution of Ethnographic Film to the Study of Religion by Arik Moran

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Integrating academic service learning into higher education business curriculum by Wilfredo Moran

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Scratch Microworlds : introducing novices to scratch using an interest-based, open-ended, scaffolded experience by Tsur, Moran

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What decolonising the curriculum means: reflections by students of Politics and International Relations at London Metropolitan University by Moran, Andrew

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"Caballero solo": Eliot, Lawrence ... Porter? by Moran, D

Carpentier's Stravinsky: rites and wrongs by Moran, D

Grounding the qualitative: a new challenge for panpsychism by Moran, A

Living without microphysical supervenience by Moran, A

Why Enghien? A note on Cortázar and Proust by Moran, D