THE ROLE PLAYED BY MUSICOLOGIST N. NIKOLAEVA AND HER SCHOOL IN VLADIMIR AXIONOV’S PROFESSIONAL FORMATION by ŢIRCUNOVA SVETLANA

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THE PERIOD IN THE THEORY OF MUSICAL FORMS by ȚIRCUNOVA, SVETLANA

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COMPOZITIONAL AND DRAMATURGYCAL FEATURES OF THE PIECE FOR TWO PIANOS TO THE PHILHARMONIC PUBLIC OF CHISINAU BY GHENADIE CIOBANU (PART II) by MAMALÂGA MARINA, ŢIRCUNOVA SVETLANA

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BASIC ELEMENTS OF THE MUSICAL LANGUAGE IN THE VOCAL CYCLE THE NINTH MOON BY GHENADIE CIOBANU by CONUNOVA, ELENA, ȚIRCUNOVA, SVETLANA

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COMPOSITION PECULIARITIES IN THE SONATA C-MOLL FOR VIOLIN AND PIANO BY KONSTANTIN ROMANOV by ŢIRCUNOVA SVETLANA, BURUNOVA ANASTASIA

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INSTRUMENTAL DIALOG UE IN THE COMPOSITION INCANTATION FOR TENOR-SAXOPHONE (OR BASS-CLARINET) AND PIANO BY S. PÂSLARI by ŢIRCUNOVA SVETLANA, CABACOV DMITRI

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PECULIARITIES OF THE MUSICAL LANGUAGE, COMPOSITION AND DRAMATURGY IN S. PISLARI’S COMPOSITION LES CANTILÈNES FOR PIANO by CABACOV DMITRII, ŢIRCUNOVA SVETLANA

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TEN MUSICAL FANTASIES FOR PIANO BY VLADIMIR ROTARU AS AN EXAMPLE OF ALBUM FOR CHILDREN IN NATIVE MUSIC by ŢIRCUNOVA SVETLANA, CORJINSCAIA IULIA

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ABOUT THE POETIC BASIS OF THE VOCAL CYCLE A NOUA LUNĂ ÎN CER (THE NINTH MOON) BY GHENADIE CIOBANU by CONUNOVA ELENA , ŢIRCUNOVA SVETLANA

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PIANO CREATION BY S. PYSLARI: GENERAL CHARACTERISTICS, STYLISTIC FEATURES by CABACOV DMITRI, ŢIRCUNOVA SVETLANA

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