Material and Technical Analysis as a Support for Art-Historical Characterization of Selected Mural Paintings in Austria around 1400 by Anabelle Kriznar

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Materials and Techniques of Selected Mural Paintings on the “Gothic Road” around 1400 (Slovakia) by Anabelle Kriznar, Jana Želinská

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Pigments and Inks Applied in Juan Vespucci’s Portolan Chart (1520) by Anabelle Kriznar, Francisco Ager, Luis Robles Macías, Inés Ortega Feliu, Blanca Gómez Tubío, Miguel Ángel Respaldiza

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Material and Technical Analysis of La Inmaculada by Francisco Pacheco by Anabelle Kriznar, Javier Moreno-Soto, Antonio Gamero-Osuna, Agustín Martín-de-Soto, Francisco José Ager, Miguel Ángel Respaldiza

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Material and Imaging Analysis Procedure for the Investigation of Paintings in the Archbishop’s Palace of Seville by Javier Moreno-Soto, Anabelle Križnar, Francisco José Ager, Auxiliadora Gómez, Antonio Gamero-Osuna, Agustín Martín-de-Soto, Miguel Ángel Respaldiza

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Zurbarán attribution hypothesis supported by pigment analysis and multiband images observation of four paintings by his workshop by Javier Moreno-Soto, Anabelle Križnar, Francisco José Ager, María Auxiliadora Gómez-Morón, Antonio Gamero-Osuna, Agustín Martín-de-Soto, Miguel Ángel Respaldiza

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