“That’s not the only reason we love him”: Tchaikovskii reception in Post-Soviet Russia by Bullock, P

The birth of the Soviet romance from the spirit of Russian modernism by Bullock, P

Ibsen on the London stage: Independent theatre as transnational space by Bullock, P

Chaikovsky and the economics of art music in late nineteenth-century Russia by Bullock, P

THE CRUEL ART OF BEAUTY: WALTER PATER AND THE UNCANNY AESTHETICISM OF ISAAK BABEL'S RED CAVALRY by Bullock, P

Lyric and landscape in Rimsky-Korsakov’s songs by Bullock, P

Beginnings, endings, and eternal returns: Vladimir Sharov, Andrei Platonov and the legacy of the Soviet avant-garde by Bullock, P

By the waters of the Tiber: Viacheslav Ivanov, Aleksandr Grechaninov, and Russian culture in interwar Europe by Bullock, P

The Pushkin anniversary of 1937 and Russian art-song in the Soviet Union by Bullock, P

Čajkovskij and the language of same-sex desire by Bullock, P

The musical imagination of Andrei Platonov by Bullock, P

Ambiguous Speech and Eloquent Silence: The Queerness of Tchaikovsky's Songs by Bullock, P

The Russian opera libretto as preached and practiced in the nineteenth century by Frainier, M

Other Authors: “…Bullock, P…”

Translation in context: a descriptive account of Romeo and Juliet in versions by Konstantin Bal’mont and Anna Radlova by Wood, KF

Other Authors: “…Bullock, P…”