To repeat (or not to repeat)? Dance cues in Restoration English opera מאת Burden, M

Metastasio on the British Stage 1728-1840 a catalogue מאת Burden, M

A short article on a lively subject: Geltruda Rossi, Sarah Siddons, and Shakespeare's Lady Macbeth à la Fuseli מאת Burden, M

A bellyful of nightingales; singers and the celebrity anecdote מאת Burden, M

The Opera House on the London stage מאת Burden, M

Midas, Kane O’Hara, and the Italians; an interplay of comedy between London and Dublin מאת Burden, M

That ‘Romish’ composer: the reception of Pergolesi in 18th-century England מאת Burden, M

Ruling the Roost: Louisa Pyne’s ‘Rules and Regulations’ for running an opera company מאת Burden, M

Imaging Mandane: character, costume, monument מאת Burden, M

‘Play it again, Sam’: the ‘encore’ in 18th-century London opera מאת Burden, M

Fluid texts, moving arias, shifting sands; מאת Burden, M

Biagio Rebecca draws the London Opera House: London’s Kings Theatre in the 1790s מאת Burden, M

‘”With dances analogous to the drama”; מאת Burden, M

‘Pots, privies and WCs; crapping at the opera in London before 1830’ מאת Burden, M

Tumbling images: Carlo Antonio Delpini at work מאת Burden, M

Rehearsing an opera in Georgian London מאת Burden, M

‘Following the male gaze; Visiting the Green Room at London’s Opera House’ מאת Burden, M

Adapting Phaëton מאת Burden, M

Eating and the theatre מאת Burden, M

Mrs Billington’s embonpoint; מאת Burden, M