Opera, Excess, and the discourse of Luxury in eighteenth-Century England by Michael Burden

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Le roman anglais du XVIIIe siècle à l’opéra : la sentimentalité, Pamela et The Maid of the Mill by Michael Burden

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Lipstick on pigs: Critical discourse and image analysis of non-humans in U.S. children’s ESL textbooks by Amy Burden

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To repeat (or not to repeat)? Dance cues in Restoration English opera by Burden, M

Metastasio on the British Stage 1728-1840 a catalogue by Burden, M

A short article on a lively subject: Geltruda Rossi, Sarah Siddons, and Shakespeare's Lady Macbeth à la Fuseli by Burden, M

A bellyful of nightingales; singers and the celebrity anecdote by Burden, M

The Opera House on the London stage by Burden, M

Midas, Kane O’Hara, and the Italians; an interplay of comedy between London and Dublin by Burden, M

That ‘Romish’ composer: the reception of Pergolesi in 18th-century England by Burden, M

Ruling the Roost: Louisa Pyne’s ‘Rules and Regulations’ for running an opera company by Burden, M

Imaging Mandane: character, costume, monument by Burden, M

‘Play it again, Sam’: the ‘encore’ in 18th-century London opera by Burden, M

Fluid texts, moving arias, shifting sands; by Burden, M

Biagio Rebecca draws the London Opera House: London’s Kings Theatre in the 1790s by Burden, M

‘”With dances analogous to the drama”; by Burden, M

‘Pots, privies and WCs; crapping at the opera in London before 1830’ by Burden, M

Tumbling images: Carlo Antonio Delpini at work by Burden, M

Rehearsing an opera in Georgian London by Burden, M

‘Following the male gaze; Visiting the Green Room at London’s Opera House’ by Burden, M