Occasional and Rare Lexemes in the Poetic Language of V. A. Zhukovsky (Methodology of Dictionary Interpretation) por D. N. Zhatkin

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“The Cotter’s Saturday Night” by Robert Burns in Russian Translation and Literary-Critical Reception of 19 Century por D. N. Zhatkin, N. S. Futlyaev

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Problems of Russian Theatrical Reception of Shakespeare in Criticism of Yuli Eichenwald por V. V. Serdechnaya, D. N. Zhatkin

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Early Russian Reception of James Hogg (1830s) por D. N. Zhatkin, A. A. Ryabova

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History of Russian Reception of Drama I.-V. Goethe’s “Torquato Tasso” por D. N. Zhatkin, N. L. Vasiliev

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Evolution of Literary-Critical Method of Julius Aikhenvald and His Views on Shakespeare’s Creativity por V. V. Serdechnaya, D. N. Zhatkin

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Russian Reception by James Hogg (Mid-19^th — Early 20^th Centuries) por D. N. Zhatkin, A. A. Ryabova

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Russian Reception by James Hogg (Soviet period) por D. N. Zhatkin, A. A. Ryabova

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Vadim Shershenevich as a translator, librettist and critic in a theatrical dialogue with Shakespeare por D. N. Zhatkin, V. V. Serdechnaya

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Translation Strategies of M. Kuzmin in Translating Shakespeare por V. V. Serdechnaya, D. N. Zhatkin

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History of Russian Translational Reception of Edwin Arnold’s Poem “The Light of Asia”: Translation by A.M. Fedorov por V. V. Serdechnaya, D. N. Zhatkin

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Translation Principles of Vadim Shershenevich and Their Implementation in Translations of Playwrights of William Shakespeare: “King John” and “Cymbeline” por V. V. Serdechnaya, D. N. Zhatkin

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Translation, Critical, and Creative Reception of Shakespeare in Legacy of Sigizmund Krzhizhanovsky por V. V. Serdechnaya, D. N. Zhatkin

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