Music in disorders of consciousness by Jens Dieter Rollnik, Eckart eAltenmüller

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Flexibility of movement organization in piano performance by Shinichi eFuruya, Eckart eAltenmüller

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Altered Sensory Feedbacks in Pianist's Dystonia: the altered auditory feedback paradigm and the glove effect by Felicia Pei-Hsin Cheng, Michael eGrossbach, Eckart eAltenmüller

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Preattentive processing of emotional musical tones: a multidimensional scaling and ERP study by Thomas F Münte, Katja eSpreckelmeyer, Eckart eAltenmüller, Hans eColonius

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Alteration in forward model prediction of sensory outcome of motor action in Focal Hand Dystonia by André eLee, Shinichi eFuruya, Matthias eKarst, Eckart eAltenmüller

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Quantification of a Secondary Task-Specific Tremor in a Violinist after a Temporal Lobectomy by André eLee, Kenta eTominaga, Shinichi eFuruya, Fumio eMiyazaki, Eckart eAltenmüller

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Movement induced tremor in musicians and non-musicians reflects adaptive brain plasticity by André eLee, Erwin eSchoonderwaldt, Mareike eChadde, Mareike eChadde, Eckart eAltenmüller

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Fingers phrase music differently: trial-to-trial variability in piano scale playing and auditory perception reveal motor chunking by Floris Tijmen Van Vugt, Floris Tijmen Van Vugt, Hans-Christian eJabusch, Eckart eAltenmüller

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Individuality that is unheard of: systematic temporal deviations in scale playing leave an inaudible pianistic fingerprint by Floris Tijmen Van Vugt, Floris Tijmen Van Vugt, Hans-Christian eJabusch, Eckart eAltenmüller

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Sensory trick phenomenon improves motor control in pianists with dystonia: prognostic value of glove-effect by Jakobine ePaulig, Hans-Christian eJabusch, Michael eGrossbach, Laurent eBoullet, Eckart eAltenmüller

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Music-supported motor training after stroke reveals no superiority of synchronisation in group therapy by Floris Tijmen Van Vugt, Floris Tijmen Van Vugt, Juliane eRitter, Jens D Rollnik, Eckart eAltenmüller

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Long-range correlation properties in timing of skilled piano performance: the influence of auditory feedback and deep brain stimulation. by Maria eHerrojo Ruiz, Sang Bin eHong, Holger eHennig, Eckart eAltenmüller, Andrea A Kühn

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Play it again Sam: Brain Correlates of Emotional Music Recognition by Eckart eAltenmüller, Susann eSiggel, Bahram eMohammadi, Bahram eMohammadi, Amir eSamii, Thomas F Münte

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The influence of chronotype on making music: Circadian fluctuations in pianists’ fine motor skills by Floris Tijmen Van Vugt, Floris Tijmen Van Vugt, Katharina eTreutler, Eckart eAltenmüller, Hans-Christian eJabusch

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Pain sensitivity and tactile spatial acuity are altered in healthy musicians as in chronic pain patients. by Anna M. eZamorano, Inmaculada eRiquelme, Boris eKleber, Eckart eAltenmüller, Samar eHatem, Samar eHatem, Pedro eMontoya

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Music, Brain, and Rehabilitation: Emerging Therapeutic Applications and Potential Neural Mechanisms – Editorial by Teppo eSärkämö, Eckart eAltenmüller, Antoni eRodríguez-Fornells, Antoni eRodríguez-Fornells, Antoni eRodríguez-Fornells, Isabelle ePeretz, Isabelle ePeretz

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Clinical investigations of receptive and expressive musical functions after stroke by Ken eRosslau, Ken eRosslau, Daniel eSteinwede, Christine eSchröder, Christine eSchröder, Sibylle eHerholz, Claudia eLappe, Christian eDobel, Eckart eAltenmüller

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Plasticity in the sensorimotor cortex induced by Music-supported therapy in stroke patients: A TMS study by Jennifer eGrau-Sánchez, Julià L Amengual, Nuria eRojo, Misericòrdia eVeciana de las Heras, Jordi eMontero, Francisco eRubio, Eckart eAltenmüller, Thomas F Münte, Antoni eRodriguez-Fornells, Antoni eRodriguez-Fornells, Antoni eRodriguez-Fornells

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