Shirley Bricout, Politics and the Bible in D. H. Lawrence’s Leadership Novels by Elise Brault

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Emptying and Filling: a(n) (Il)logical Poetic Representation of Emotions by Elise Brault

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Laughter and Mockery in Women in Love: Heterogeneous Symptoms of Discontent by Elise Brault-Dreux

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Exposing Bare Lives – Larkin’s Hospital Poems by Elise Brault-Dreux

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‘All in all most of us are making good/recoveries’—Leaving Hospital and Recovering in Some British Contemporary Poems by Elise Brault-Dreux

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The “Thingness” of the Quick by Elise Brault-Dreux

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Diagnosing, Resisting, Yielding – or How the Doctor Faces the Inevitable Tragedy by Elise Brault-Dreux

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Kissing in “She Looks Back” and “Seven Seals”: Excessive and Mad Poetic Expression by Elise Brault-Dreux

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The Rim, the Edge, the End, the Level: When Poetry Breaks the Sea “to bits” in Last Poems by Elise Brault-Dreux

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Modern Boredom: Subjective Distortions of Time in D.H. Lawrence’s Work. by Elise Brault-Dreux

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“Creep closer in, that I am more” –Is there a “theory of human relativity” in the Poetics of Look! We Have Come Through? by Elise Brault-Dreux

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Limbs at War: Amputation, Mutilation and Paralysis – Wilfred Owen, Blaise Cendrars and D.H. Lawrence. by Elise Brault-Dreux

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De-gendering the “grannies.” by Elise Brault-Dreux

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