The histories of an enlightened ruler: Malam Muhamman Bitemya Sambo, Garbosa II of Donga, Central Nigeria 由 Fardon, R, Furniss, G

Documenting the early colonial assemblage – 1900s to 1910s 由 Chappel, T, Fardon, R, Piepel, K

Towards a Verre catalogue raisonnée, 5.2: Personal Ornaments 由 Chappel, T, Fardon, R, Piepel, K

Appendix 1: The Verre collection in the Jos and Lagos Museums 由 Chappel, T, Fardon, R, Piepel, K

Towards a Verre catalogue raisonnée, 5.5: Prestige skeuomorphs 由 Chappel, T, Fardon, R, Piepel, K

Towards a Verre catalogue raisonnée, 5.3: Initiation helmets and crooks 由 Chappel, T, Fardon, R, Piepel, K

Brass skeuomorphs: thinking about originals and copies 由 Chappel, T, Fardon, R, Piepel, K

Preface to Vestiges: Traces of Record special issue Surviving Works: context in Verre arts 由 Chappel, T, Fardon, R, Piepel, K

Appendix 4: Leo Frobenius’s untranslated Verre ethnological notes and part inventory 由 Chappel, T, Fardon, R, Piepel, K

Bibliography of Vestiges: Traces of Record special issue Surviving Works: context in Verre arts 由 Chappel, T, Fardon, R, Piepel, K

Towards a Verre catalogue raisonnée, 5.4: Hoes and daggers 由 Chappel, T, Fardon, R, Piepel, K

The Verre 由 Chappel, T, Fardon, R, Piepel, K

Surviving works: context in Verre arts 由 Chappel, T, Fardon, R, Piepel, K

Appendix 3: Glossary of Verre terms for objects, their uses and description 由 Chappel, T, Fardon, R, Piepel, K

Documenting the early post-colonial assemblage – 1960s to 1970s 由 Chappel, T, Fardon, R, Piepel, K

Towards a Verre catalogue raisonnée, 5.6: Anthropomorphic figures 由 Chappel, T, Fardon, R, Piepel, K

Appendix 2: Tim Chappel’s Verre vendors 由 Chappel, T, Fardon, R, Piepel, K

Towards a Verre catalogue raisonnée, 5.1: Percussive metals: bells, gongs, rattles 由 Chappel, T, Fardon, R, Piepel, K

Conclusion: late works - Verre brasscasting in context 由 Chappel, T, Fardon, R, Piepel, K

Interleaf: ‘Brass Work of Adamawa’: a display cabinet in the Jos Museum – 1967 由 Chappel, T, Fardon, R, Piepel, K