Plaosan Temple Ornaments As Iconography Metaphorical Hindu-Buddhist Ideology by Handriyotopo Handriyotopo

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Analisis Karakter “Si Korona” pada Buku Digital Kartun Edukasi Virus Corona untuk Anak-Anak di Tengah Pandemi by Handriyotopo Handriyotopo

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DESIGN PROMOTION MEDIA FOR REOG PONOROGO WITH GRAPHIC MOTION OF WAYANG KULIT by Gheraldi Waskito Ajiprabowo, Handriyotopo Handriyotopo

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THE BAHU LAWEYAN LEGEND IN PHOTOGRAPHIC WORK by Rahdan Hutama Putra, Handriyotopo Handriyotopo

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VAMPIR POLITIK INDONESIA SAMPUL DESAIN GRAFIS TABLOID DEMOKRAT EDISI 49 TANGGAL 23-30 JANUARI 2000 Representasi Senimannya Pada Masa Reformasi by Handriyotopo -

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INDUSTRI ANIMASI MENJADI TUAN DI RUMAH SENDIRI (Sebuah Kenyataan dan Harapan bagi Insan dan Penggiat Industri Animasi Lokal) by Handriyotopo -

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Peluang Dan Tantangan Industri Pencetak Insan Kreatif Dan Handal Di Dunia Pertelevisian 1 by Handriyotopo -

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METAPHOR IN THE FILM SETAN JAWA by Intan Yulia Febbyu Fenda, Handriyotopo Handriyotopo

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APROPRIATION OF METAFORA IN FILM ADVERTISING “MANDIRI SECURITAS” by Handriyotopo Handriyotopo, GR Lono Lastoro, SP Gustami

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REPRESENTASI JEJAK MEMORI BUDAYA LOKAL DALAM KARYA PERFORMANCE ART SENIMAN INDONESIA by Litya Ainunning Puri, Handriyotopo Handriyotopo, Khoirunnisa Qonita

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Interpretasi Caddy Pada Serial Animasi Shaun The Sheep Episode Who’s The Caddy by Handriyotopo -, Sari Kesuma Dewi

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Batak Cultural Change in Ngeri-ngeri Sedap Movie: Robert N Entman Framing Analysis by Ega Damayanti, Handriyotopo, Aris Setiawan

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Film Mini Televisi: Alternatif Menghadirkan yang Kecil di Tengah yang Besar by Thesa Resi Sila Utami, Handriyotopo -

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METAFORA DAN IDIOLOGI FILM IKLAN MANDIRI SECURITAS by H., Handriyotopo, GR Lono Lastoro, SP Gustami

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