“Sexless And White” : Transgressing Gender Boundaries in Carson McCullers’s The Ballad of The Sad Café (1951) von Inès CASAS

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SOUTHERN IDENTITY IN ELLEN GLASGOW’S BARREN GROUND: A “CONFLICT OF TYPES” von Inés Casas Maroto

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“So this was a marriage!”: intersections of natural imagery and the semiotics of space in Zora Neale Hurston’s Their Eyes Were Watching God von Inés Casas Maroto

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