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  1. 1
    “Sexless And White” : Transgressing Gender Boundaries in Carson McCullers’s The Ballad of The Sad Café (1951)

    “Sexless And White” : Transgressing Gender Boundaries in Carson McCullers’s The Ballad of The Sad Café (1951) Por Inès CASAS

    Publicado em 2015-01-01
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    SOUTHERN IDENTITY IN ELLEN GLASGOW’S BARREN GROUND: A “CONFLICT OF TYPES”

    SOUTHERN IDENTITY IN ELLEN GLASGOW’S BARREN GROUND: A “CONFLICT OF TYPES” Por Inés Casas Maroto

    Publicado em 2018-09-01
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    “So this was a marriage!”: intersections of natural imagery and the semiotics of space in Zora Neale Hurston’s Their Eyes Were Watching God

    “So this was a marriage!”: intersections of natural imagery and the semiotics of space in Zora Neale Hurston’s Their Eyes Were Watching God Por Inés Casas Maroto

    Publicado em 2013-05-01
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