Čájehuvvojit 1 - 3 oktiibuot 3 bohtosis ohcui Inès CASAS', ohcanáigi: 0,02s Aiddostahte ozu
  1. 1
    “Sexless And White” : Transgressing Gender Boundaries in Carson McCullers’s The Ballad of The Sad Café (1951)

    “Sexless And White” : Transgressing Gender Boundaries in Carson McCullers’s The Ballad of The Sad Café (1951) Dahkki Inès CASAS

    Almmustuhtton 2015-01-01
    Viečča ollesdeavstta
    Artihkal
  2. 2
    SOUTHERN IDENTITY IN ELLEN GLASGOW’S BARREN GROUND: A “CONFLICT OF TYPES”

    SOUTHERN IDENTITY IN ELLEN GLASGOW’S BARREN GROUND: A “CONFLICT OF TYPES” Dahkki Inés Casas Maroto

    Almmustuhtton 2018-09-01
    Viečča ollesdeavstta
    Artihkal
  3. 3
    “So this was a marriage!”: intersections of natural imagery and the semiotics of space in Zora Neale Hurston’s Their Eyes Were Watching God

    “So this was a marriage!”: intersections of natural imagery and the semiotics of space in Zora Neale Hurston’s Their Eyes Were Watching God Dahkki Inés Casas Maroto

    Almmustuhtton 2013-05-01
    Viečča ollesdeavstta
    Artihkal

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