Which came first, the demandes d’amours or the jeu-parti? evidence from the jeu-parti subsection of Oxford, Bodleian Library, MS Douce 308 by Leach, EE

'The little pipe sings sweetly while the fowler deceives the bird': sirens in the later Middle Ages by Leach, EE

The provenance, date, and patron of Oxford, Bodleian Library, MS Douce 308 by Leach, EE

Fortune's demesne: the interrelation of text and music in Machaut's Il mest avis (B22), De fortune (B23) and two related anonymous balades by Leach, EE

Learning French by singing in 14th-century England by Leach, EE

Singing the dead present: reading Ali Smith’s Winter in the Middle Ages by Leach, EE

Editorial by Leach, EE

Imagining the un-encoded: staging affect in Blondel de Nesle’s Mes cuers me fait conmencier by Leach, EE

Do trouvère melodies mean anything? by Leach, EE

Counterpoint and analysis in fourteenth-century song by Leach, EE

Seeing Sens: Guillaumes de Machaut and de Melun by Leach, EE

Understanding Marty’s tune: J'ai trouvé (‘La note Martinet’, RS474) by Leach, EE

Ripping romance to ribbons: the French of a German knight in the Tournament at Chauvency by Leach, EE

Intertextual and intersonic resonance in Richard de Fournival’s Bestiaire d'amour: combining perspectives from literary studies and musicology by Leach, EE, Morton, J

The importance of being open: publishing OA monographs by Watson, D, Boehmer, E, Leach, EE, Morrison, C, Barnes, L, Redman, A, Sterkens, A, Wickham, C