Patterns of transformation: Linangkit by Lee, Chie Tsang Isaiah

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A musical analogue with blurred space in my erhu solo fireworks by Fan Jia, Lee, Chie Tsang Isaiah

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Bela bartók’s polymodal chromaticism in chick corea’s children song no.5 and no.15 by Ganesan Balakrishnan, Lee Chie Tsang Isaiah

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Peace and tenderness: An analysis on chinese female contemporary composer Leilei Tian’s works by Liu Mingqing, Lee Chie Tsang Isaiah

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Philosophy of imitation in Chinese piano works by Hou Jinjin, Lee Chie Tsang Isaiah

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Jesselton philharmonic orchestra (jpo) In the new normal by Lee See Ling, Lee Chie Tsang Isaiah

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“Viola sound safari”: Engaging refugee children in extended viola technique for timbre effects through musical game by Wong Siew Ngan, Lee Chie Tsang Isaiah

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Explore the harmony in Chinese contemporary choral art—"CCTV national young singer grand prix" as an example by Isaiah, Lee Chie Tsang, Lee, Chie Tsang Isaiah

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A Survey for Research Literature Review of the Origin, Spread and Variation of the Chinese Folk Song “Jasmine Flower” by Liang Tao, Jacqueline Pugh-Kitingan, Lee Chie Tsang Isaiah

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Microtonality and neutral tone in contemporary zheng performance: Towards an expanded interpretive framework by Zhang Zhan, Lee Chie Tsang Isaiah, Chong Huey Ching

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Speech-tones and melodic expressions: a comparative study of “jasmine flower” folksong variants from Jiangsu and Beijing by Liang Tao, Jacqueline Pugh-Kitingan, Lee Chie Tsang Isaiah

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