Philip MacCann

Philip MacCann is a British author.

Born in Manchester, he was educated at Trinity College, Dublin and later studied creative writing at the University of East Anglia under Malcolm Bradbury. His first book, ''The Miracle Shed'' (1995), a collection of short stories, won the Rooney Prize for Irish Literature, and in 2000 he was awarded the Shiva Naipaul Memorial Prize.

In the 1990s he worked as a literary journalist for the ''Guardian'' newspaper and the ''Spectator'' magazine, contributing frequently to ''Prospect Magazine'' and others. During this time, he became known for his distinct classical aesthetic, statements about the ethical shortcomings of Art and he became known for his acerbic criticism of consumer capitalism. Even before the publication of ''The Miracle Shed'' was published he wrote in ''The Guardian'' his reluctance to continue publishing literary art in what was much more than a populist climate: a culture oppressed and vandalized by the abuse of corporate power. His first short stories appeared in ''Faber's First Fictions'', the ''New Yorker'' and ''New Writing'' 1 and 3 (Minerva/British Council). Criticising the writing of the day as "becalmed writing from a stagnant pool", The Guardian singled out MacCann for special praise stating: "Really blazes—this is what Literature is about."

In 1999, ''The Observer'' newspaper selected him as one of twenty world authors expected to be significant in the new millennium. But in fact, only a handful of stories subsequently appeared: in ''Granta'' magazine, the ''Faber Book of Best New Irish Short Stories'', ''The Dublin Review'' and ''The Irish Times''. Since 1995, he has shown little interest in publishing and has had no public profile. Despite this, his one small book continues to be praised, and his silence still sparks a degree of curiosity on the Internet. Provided by Wikipedia