Reseña: “The Artist´s Process. Technology and Interpretation” by Margarita San Andrés Moya

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PUR Facts. Conservation of Polyurethane Foam in Art and Design. Thea van Osten by Margarita San Andrés Moya

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Conservación y restauración de materiales contemporáneos y nuevas tecnologías by Margarita San Andrés Moya

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Conservation of Plastics (materials science, degradation and preservation) by Margarita San Andrés Moya

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La pintura de sargas by Sonia Santos Gómez, Margarita San Andrés Moya

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La Pintura del techo del Teatro Vicó de Jumilla (Murcia). Estudio histórico y material by Sonia Santos Gómez, Margarita San Andrés Moya, Ruth Chércoles

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The Virgin with the Sleeping Child Jesus: study of two overlapping images by Ana Calvo, Ruth Chércoles, Alicia Sánchez, Margarita San Andrés

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Los tejidos en las colecciones de los museos españoles, una larga historia de valoración y conservación by María López-Rey, Ruth Chércoles-Asensio, Margarita San Andrés-Moya

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El color y su significado en los documentos cartográficos del Cuerpo de Ingenieros Militares del siglo XVIII by Margarita San Andrés Moya, José Manuel de la Roja de la Roja

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Education and Research in New Materials: Looking at the market, working with manufacturers by Silvia G. Fernandez-Villa, Margarita San Andrés, Ruth Chércoles, Isabel M. García

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Chromatic reintegration in contemporary monochromatic unvarnished paintings: a case study based on artwork from Jorge Martins by Marta Marques Aleixo, Ana Bailão, Andreia Gomes, João Linhares, Margarita San Andrés, Sérgio Nascimento

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