What is the origin of the black film in the sculpture “Death of Cleopatra”? by Pedro Azevedo, Maria Filomena Macedo, Amélia Dionísio

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Risk analysis applied to the storage rooms of the Museu de Lisboa by Nadine Padamo, Aida Maria Nunes, Maria Filomena Macedo

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Preventive conservation applied to "Casa dos Patudos" oil painting collection by Mafalda Fernandes, Sara Babo, Nuno Prates, Maria Filomena Macedo

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Biodeterioration of Glass-Based Historical Building Materials: An Overview of the Heritage Literature from the 21st Century by Maria Filomena Macedo, Márcia Gomes Vilarigues, Mathilda L. Coutinho

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Application of Biology to Cultural Heritage by Maria Filomena Macedo, Ana Zélia Miller, Ana Catarina Pinheiro, António Portugal

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From Biodeterioration to Creativity: Bioreceptivity of Spruce Pine 87 Glass Batch by Fungi by Alexandra Rodrigues, Margarida Alves, Sara Gutierrez-Patricio, Ana Z. Miller, Maria Filomena Macedo

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Diagnosis of two textile pieces from Santarém Diocesan Museum: a multi-analytical approach by Rita Florentino Correia, Eva Armindo, Eva Raquel Neves, Márcia Vilarigues, Maria Filomena Macedo

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Fungal stains on paper: is what you see what you get? by Sílvia O. Sequeira, Hugo Paiva de Carvalho, Nuno Mesquita, António Portugal, Maria Filomena Macedo

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A transparent dialogue between iconography and chemical characterisation: a set of foreign stained glasses in Portugal by Alexandra Rodrigues, Mathilda Coutinho, Andreia Machado, Bruno A. Martinho, Luís Cerqueira Alves, Maria Filomena Macedo, Márcia Vilarigues

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