A woman of all times: A discourse-semiotic approach to André Brink’s Philida by Maryam Soltan Beyad, Hanieh Mehrmotlagh

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Fear of Freedom: Erich Fromm and Ken Kesey’s One Flew Over the Cuckoo’s Nest by Maryam Soltan Beyad, Mahshid Mirmasoomi

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Ford Madox Ford’s Modernist Trio: A Psychosocial Study of Suicidal Doppelgängers in The Rash Act by Mona Jafari, Maryam Soltan Beyad

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‘Such a ceremonial perversion!’ baroque, capitalism, and a mouthful of birds by Beyad, Maryam Soltan, Rezaei, Tahereh

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“Fair is foul, and foul is fair”: A carnivalesque approach to Justin Kurzel and Billy Morrissette’s cinematic adaptations of William Shakespeare’s Macbeth by Maryam Soltan Beyad, Mohammad Reza Hassanzadeh Javanian

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English letters, Kurdish words: Debunking Orientalist Tropes in Kae Bahar’s Letters from a Kurd by Maryam Soltan Beyad, Somaye Ghorbani, Cyrus Amiri

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Bakhtinian Intertextuality and Contextuality in Adaptation Studies: Kenneth Branagh and Michael Almereyda’s Dialogues with William Shakespeare’s Hamlet by Maryam Soltan Beyad, Mohammad Reza Hassanzadeh Javanian

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A novel of de-formation: Cormac McCarthy’s Child of God as a postmodern Gothic parody of the Bildungsroman by Mona Jafari, Maryam Soltan Beyad, Zohreh Ramin

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High claudin-4 antigen expression in triple-negative breast cancer by the immunohistochemistry method by Azar Naimi, Nadereh Zare, Elham Amjadi, Maryam Soltan

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