What does ‘to enlighten’ mean? by Mendelssohn M.

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On the ideal constitution by Mendelssohn M.

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Should one oppose spreading fancies with satire or state intervention? by Mendelssohn M.

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Notes on Oscar Wilde's transatlantic gender politics by Mendelssohn, M

A Janus-faced friend: Oscar Wilde and modern Greece's queer future by Mendelssohn, M

Rewriting the genealogy of minstrelsy for modernity: “Cry and sing, walk and rage, scream and dance” by Mendelssohn, M

The melodrama of Cynthia Ozick’s imagination by Mendelssohn, M

A small black boy and others: James Baldwin's essays as a radical framework for understanding Henry James by Mendelssohn, M

Homosociality and the Aesthetic in Henry James's Roderick Hudson by Mendelssohn, M

Homosociality and the aesthetic in Henry James's 'Roderick Hudson' by Mendelssohn, M

Reading aestheticism, decadence, and cosmopolitanism by Mendelssohn, M

Poetry, parody, porn and prose by Mendelssohn, M

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Beautiful souls mixed up with hooked noses: Art, degeneration, and anti-semitism in the master and trilby by Mendelssohn, M

Introduction by Mendelssohn, M

Editors’ introduction: Cynthia Ozick and the art of nonfiction by Mendelssohn, M, Tyson, C

Introduction: a dialogue on influence by Mendelssohn, M, Flannery, D

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The intelligence of artifice: Oscar Wilde and AI by Tyson, C, Mendelssohn, M

Alan Hollinghurst: Writing Under the Influence by Mendelssohn, M, Flannery, D, O'Donoghue, B, Brown, A, McLeod, J, Rivkin, J, Ronan, J, Caserio, R, Gilbert, G, O'Leary, A, Mitchell, K, Lee, H

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Henry James, painters, and painting by Seager, Z

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The early struggle of black internationalism: intellectual interchanges among American and French black writers during the interwar period by Gaetan, M

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