Pigments and Inks Applied in Juan Vespucci’s Portolan Chart (1520) by Anabelle Kriznar, Francisco Ager, Luis Robles Macías, Inés Ortega Feliu, Blanca Gómez Tubío, Miguel Ángel Respaldiza

Get full text

Material and Technical Analysis of La Inmaculada by Francisco Pacheco by Anabelle Kriznar, Javier Moreno-Soto, Antonio Gamero-Osuna, Agustín Martín-de-Soto, Francisco José Ager, Miguel Ángel Respaldiza

Get full text

Characterization of Castellani nineteenth-century gold jewellery by in situ micro-XRF spectroscopy by Rosarosa Manca, Simona Scrivano, Chiara Manfriani, Francisco J. Ager Vàzquez, Inés Ortega-Feliu, Marco Ferretti, Miguel Angel Respaldiza, Marco Benvenuti

Get full text

Material and Imaging Analysis Procedure for the Investigation of Paintings in the Archbishop’s Palace of Seville by Javier Moreno-Soto, Anabelle Križnar, Francisco José Ager, Auxiliadora Gómez, Antonio Gamero-Osuna, Agustín Martín-de-Soto, Miguel Ángel Respaldiza

Get full text

Zurbarán attribution hypothesis supported by pigment analysis and multiband images observation of four paintings by his workshop by Javier Moreno-Soto, Anabelle Križnar, Francisco José Ager, María Auxiliadora Gómez-Morón, Antonio Gamero-Osuna, Agustín Martín-de-Soto, Miguel Ángel Respaldiza

Get full text