THE SYMPHONY IN THE TRANSYLVANIAN COMPOSITION SCHOOL DURING THE SECOND HALF OF THE 20th CENTURY by Mirela MERCEAN–ŢÂRC

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ARS INVENTIO IN THE B.A.C.H. SYMPHONY FOR ORGAN SOLO BY SIGISMUND TODUŢĂ by Mirela MERCEAN-ŢÂRC

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SYMPHONIC VARIATIONS FOR ORCHESTRA BY SIGISMUND TODUŢĂ – HISTORICAL AND STYLISTIC CONSIDERATIONS by Mirela MERCEAN ŢÂRC

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ON THE PERFORMANCE OF ELECTRONIC MUSIC – INTERVIEW WITH COMPOSER ADRIAN BORZA by Mirela MERCEAN-ȚÂRC

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TEACHING STUDENTS TO PLAY THE PIANO ON OLD AND INSUFFICIENT INSTRUMENTS IS THE SAME AS “TEACHING THEM TO SWIM WITHOUT WATER” by Mirela MERCEAN-ŢÂRC

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SYMPHONIC VARIATIONS FOR ORCHESTRA BY SIGISMUND TODUŢĂ – HISTORICAL AND STYLISTIC CONSIDERATIONS by Mirela MERCEAN ŢÂRC

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THE ANONYMOUS EDUCATOR by Mirela MERCEAN-ŢÂRC

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ON THE PERFORMANCE OF ELECTRONIC MUSIC – INTERVIEW WITH COMPOSER ADRIAN BORZA by Mirela MERCEAN-ȚÂRC

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Reflexii ale modernității muzicale în creațiile timpurii ale lui Zeno Vancea by Mirela Mercean-Ţârc

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ARCHETYPAL DISCURSIVE TYPOLOGIES IN HETERO(SYM)PHONY BY CORNEL ȚĂRANU by Mirela MERCEAN-ȚÂRC

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STYLISTIC STAGES IN THE CHORAL WORKS OF THE COMPOSERS FROM CLUJ-NAPOCA by Mirela MERCEAN-ŢÂRC

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De la devising theatre la DJ-ing & VJ-ing Mix by Mirela Mercean-Ţârc, Adina Cristina Roman

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