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  1. 1
    A Good Concept Should Be both Very Concrete and Very Abstract.”

    A Good Concept Should Be both Very Concrete and Very Abstract.” by Pethő Ágnes

    Published 2018-10-01
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  2. 2
    The Exquisite Corpse of History. Radu Jude and the Intermedial Collage

    The Exquisite Corpse of History. Radu Jude and the Intermedial Collage by Pethő Ágnes

    Published 2022-07-01
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  3. 3
    The Vertigo of the Single Image: From the Classic Narrative “Glitch” to the Post-Cinematic Adaptations of Paintings

    The Vertigo of the Single Image: From the Classic Narrative “Glitch” to the Post-Cinematic Adaptations of Paintings by Pethő Ágnes

    Published 2013-08-01
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  4. 4
    The Uncanniness of Intermediality. Joanna Hogg’s Eerily Self-Reflexive Cinema

    The Uncanniness of Intermediality. Joanna Hogg’s Eerily Self-Reflexive Cinema by Pethő Ágnes

    Published 2023-11-01
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  5. 5
    ”Film Studies Always Need the Wider Approach of Intermediality.”

    ”Film Studies Always Need the Wider Approach of Intermediality.” by Pethő Ágnes

    Published 2018-10-01
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  6. 6
    Between Absorption, Abstraction and Exhibition: Inflections of the Cinematic Tableau in the Films of Corneliu Porumboiu, Roy Andersson and Joanna Hogg

    Between Absorption, Abstraction and Exhibition: Inflections of the Cinematic Tableau in the Films of Corneliu Porumboiu, Roy Andersson and Joanna Hogg by Pethő Ágnes

    Published 2015-12-01
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  7. 7
    Approaches to Studying Intermediality in Contemporary Cinema

    Approaches to Studying Intermediality in Contemporary Cinema by Pethő Ágnes

    Published 2018-10-01
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  8. 8
    ”The Use of Other Media within Film as a Passage to Material Reality.”

    ”The Use of Other Media within Film as a Passage to Material Reality.” by Pethő Ágnes

    Published 2018-10-01
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  9. 9
    Three Interviews with Scholars who Defined the Field

    Three Interviews with Scholars who Defined the Field by Pethő Ágnes

    Published 2018-10-01
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  10. 10
    The Tableau Vivant as a “Figure of Return” in Contemporary East European Cinema

    The Tableau Vivant as a “Figure of Return” in Contemporary East European Cinema by Pethő Ágnes

    Published 2014-12-01
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