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Rembrandt’s The Standard Bearer by Petria Noble, Annelies van Loon, Jonathan Bikker
Published 2023-06-01
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Artificial orpiment, a new pigment in Rembrandt’s palette by Annelies van Loon, Petria Noble, Anna Krekeler, Geert Van der Snickt, Koen Janssens, Yoshinari Abe, Izumi Nakai, Joris Dik
Published 2017-06-01
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Separating two painting campaigns in Saul and David, attributed to Rembrandt, using macroscale reflectance and XRF imaging spectroscopies and microscale paint analysis by Kathryn A. Dooley, E. Melanie Gifford, Annelies van Loon, Petria Noble, Jason G. Zeibel, Damon M. Conover, Matthias Alfeld, Geert Van der Snickt, Stijn Legrand, Koen Janssens, Joris Dik, John K. Delaney
Published 2018-08-01
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