“Figures trop réelles pour durer” : Blanchot avec James by Richard ANKER

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The Pastoral Ethos of Joseph McElroy’s Writing: Lookout Cartridge and Women and Men by Richard Anker

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Irony and the Question of Presentation in The American Scene by Richard Anker

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Mutability as Counter-Plot: Apocalypse, Time, and Schematic Imagination in Don DeLillo’s The Body Artist by Richard Anker

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Introduction by Richard Anker

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Conjunctions of the Literary and the Philosophical in Twentieth- and Twenty-First-Century American Writing by Richard Anker, Stéphane Vanderhaeghe

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