Invoking Beckett: Samuel Beckett’s legacy in Northern Irish poetry by Simpson, H

Kinaesthetic empathy, physical recoil: the conflicting embodied affects of Samuel Beckett’s Quad by Simpson, H

Samuel Beckett and the Nobel catastrophe by Simpson, H

Try again, fail again: Samuel Beckett and the sequel play by Simpson, H

“Strange laughter”: Post-Gothic Questions of Laughter and the Human in Samuel Beckett's Work by Simpson, H

A witness to pain: Samuel Beckett and post-war Francophone drama by Simpson, H

“le maigre dos tourné à l’ humanité” by Simpson, H

“Away, come away”: Moving dead women and Irish emigration in W. B. Yeats’s early poetry by Simpson, H

"Where / Do I begin and end?": Circular imagery in the revolutionary poetics of Wallace Stevens and W. B. Yeats by Simpson, H

Disability, neurodiversity, and feminism by Simpson, H

Stevens and the necessity of distance: international influence and the theater auditorium by Simpson, H

Tics in the theatre: The quiet audience, the relaxed performance, and the neurodivergent spectator by Simpson, H

“In Control … Under Control” by Simpson, H

“Now keep out of the way, Whitelaw”: self-expression, agency, and directorial control in W. B. Yeats’s and Samuel Beckett’s Theatre by Simpson, H

Destabilising decapitation in King Henry VI by Simpson, H

Samuel Beckett and disability performance by Simpson, H

Statistical properties of a class of pseudorandum sequences / H R Simpson by 426692 Simpson, H. R.

Effect on knee flexion of a modification to the surgical technique of pin placement during femoral lengthening. by Simpson, H, Barker, K

World War II: bodies beyond the battlefield by Simpson, H, Girdwood, M

‘Battling through the bodies’: The human body and global warfare by Girdwood, M, Simpson, H