Versioning Strauss by Tunbridge, L

Resisting middlebrow mediation: Beethoven’s “Grosse Fuge” in interwar Britain by Tunbridge, L

Scarlett Johansson's body and the materialization of voice by Tunbridge, L

The new music ensemble as genre: the case of the ‘specialist’ string quartet by Tunbridge, L

Exterminating the recording angel by Tunbridge, L

Elisabeth Schumann and Richard Specht: Strauss before Sixty by Heisler, W, Tunbridge, L

Round table: a ‘Musical League of Nations’? music institutions and the politics of internationalism between the wars by Collins, S, Kelly, BL, Tunbridge, L

Aspects of Richard Strauss's late aesthetic by Tan, EXX

Other Authors: “…Tunbridge, L…”

Unity and disunity in Japanese modern times: the songs and theories of Yamada Kо̄saku by Watson, FK

Other Authors: “…Tunbridge, L…”

‘The most companionable composer’: sociability, Robert Schumann, and his chamber music by Beck, L

Other Authors: “…Tunbridge, L…”