The Pentimenti Principle: the draft and the draff in Beckett's Critique of Narrative Reason by Van Hulle, D

Sheherazade's notebook: editing textual dysteleology and autographic modernism by Van Hulle, D

Towards a comparative history of the literary draft by Van Hulle, D

James Joyce’s ‘Work in Progress’: Pre-book Publications of Finnegans Wake Fragments by Van Hulle, D

Negative modernism: Beckett’s poetics of pejorism and literary enactment by Van Hulle, D

Lists in literary manuscripts: Creative and cognitive tools in an aesthetics of incompletion by Van Hulle, D

Modern manuscripts: the extended mind and creative undoing from Darwin to Beckett and beyond by Van Hulle, D

De logica van de tekstversie in digitaal geschreven literatuur by Van Hulle, D

Writers’ libraries in genetic editions by Van Hulle, D

The making of Samuel Beckett’s ‘Krapp’s Last Tape’ / ‘La Dernière Bande’ by Van Hulle, D

Beckett's art of the commonplace: The ‘Sottisier’ notebook and mirlitonnades drafts by Van Hulle, D

Artificial imagination, imagine: new developments in digital scholarly editing by Van Hulle, D

Introduction: A Beckett continuum by Van Hulle, D

Other Authors: “…Van Hulle, D…”

Joyce's linguistic skepticism: the personal library as a cognitive toolbox by Van Hulle, D

Digitizing Beckett by Van Hulle, D

Modern manuscripts by Van Hulle, D

The making of Samuel Beckett’s ‘L’Innommable / The Unnamable’ by Van Hulle, D, Weller, S

The making of Samuel Beckett’s ‘Fin de partie’ / ‘Endgame’ by Van Hulle, D, Weller, S

The making of Samuel Beckett’s ‘En attendant Godot’ / ‘Waiting for Godot’ by Van Hulle, D, Verhulst, P

Shifting cultural affinities in ‘Molloy’: a genetic bilingual approach by Van Hulle, D, Verhulst, P