Icon accessible to every believer. Russian icons in finift’ of the 19th and early 20th centuries by Walczak Dorota

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“Antiques”: forgery of ancient icons in Russia in the 19th and early 20th centuries by Walczak Dorota

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Church architecture in the Western style. Synod of Zamość in 1720 and its significance for the process of church interior latinisation on the Polish-Lithuanian Commonwealth territo... by Walczak Dorota

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Between icon and picture: painting icons in Russia between the 18th and 20th centuries by Walczak Dorota

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How can a believer understand correctly the thick of scenes and characters? Multi-figure and multi-part compositions in Russian iconography between the 17th and 19th centuries by Walczak Dorota

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Fire faith: images of fire on old belief icons by Walczak Dorota

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The illustrated Iconographical Script of the Committee of Care on Russian icon painting (1901-1918): the initial project and its implementation by Walczak Dorota

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Icon in a shining framework in every house. Riza-covered (folezh) icons in Russia at the turn of the 19th and 20th centuries by Walczak Dorota

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How to educate “enlightened” icon painters? Educational icon-painting workshops of the Committee of Care on Russian icon painting (1901-1918) by Walczak Dorota

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“Bogatyr” in the epoch of postmodernism. Post-modern elements of Ilya Muromets’ iconography by Walczak Dorota, Nikolsky Evgeny Vladimirovich

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From icon painters to craftsmen, or how Palekh craftsmen turned into souvenir manufacturers after the October Revolution by Walczak Dorota, Nikolsky Evgeny Vladimirovich

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