Innovation and experimentation — landscape in early 16th-century Venetian prints and drawings by Whistler, C

Invention and devotion in Giovanni Bellini's Uffizi Lamentation by Whistler, C

Learning to draw in Venice: the role of drawing manuals by Whistler, C

Disegno a stampa, disegno a mano and the development of the independent landscape drawing in Renaissance Venice by Whistler, C

Carpaccio as a draftsman by Whistler, C

The eloquent child in Raphael's drawings by Whistler, C

The collector’s eye: Viewing Veronese’s chiaroscuro drawings in late sixteenth-century Venice by Whistler, C

Vittore Carpaccio (1460/1466?-1525/26), an innovative draughtsman by Whistler, C

Writing on Venetian drawings by Whistler, C

Fantasy and reality: Tiepolo's poetic language at Wutzburg, Verona and Madrid by Whistler, C

Raphael and the early reception and collecting of his drawings by Whistler, C

Style and dating considerations in two Apostle studies by Bernardino Gatti at the Ashmolean Museum by Whistler, C

Tintoretto and drawing 'dal vivo' in sixteenth-century Venice by Whistler, C

Introduction: Venetian disegno by Whistler, C

Uncovering beauty: Titian's Triumph of Love in the Vendramin collection by Whistler, C

Raphael, oratory and the art of drawing by Whistler, C

Eloquence in Raphael drawings by Whistler, C, Thomas, B

Raphael's materials and techniques by Aceto, A

Other Authors: “…Whistler, C…”