William Forde Thompson
William Forde "Bill" Thompson is an academic who has worked in Canada, Sweden and Australia. He is an Emeritus Professor at Macquarie University in Sydney, Australia, where he was Distinguished Professor of Psychology (2017- ) and Chair of the Department between 2009 and 2013. He currently works at Bond University, Queensland, Australia, and previously held positions at University of Toronto and York University in Toronto. His research focuses on music, emotion, expertise, and performance.From 2007 to 2009, he was president of the Society for Music Perception and Cognition. He was an associate editor at ''Music Perception'', former editor of ''Empirical Musicology Review'' (2008–2010), and chief investigator of the ARC Centre of Excellence in Cognition and its Disorders. He is a fellow of the Association for Psychological Science.
Born in Middletown, Connecticut, US, Thompson holds a BSc in psychology from McGill University (Montreal, Canada) and an MA and PhD in psychology from Queen's University (Kingston, Canada). He is the author of ''Music, Thought, and Feeling: Understanding the Psychology of Music'', Oxford University Press [US], 2009 (1st edition), 2014 (2nd edition), editor for the ''Encyclopedia of Music in the Social and Behavioral Sciences'' published by Sage Press in 2014, and co-editor of ''The Science and Psychology of Music: From Beethoven at the Office to Beyonce at the Gym'', published by Greenwood in 2021.
In addition to his academic work, Thompson has composed and performed music for a number of films and plays, including several by his sister, Canadian playwright Judith Thompson. He is the grandson of former Australian prime minister Frank Forde. He is married to Dr. Pat Diamond, formerly Professor of Education at the Ontario Institute for Studies in Education, University of Toronto. Provided by Wikipedia
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Review: David Huron, "Sweet Anticipation: Music and the Psychology of Expectation" by William Forde Thompson
Published 2007-05-01
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Melodic Accent as an Emergent Property of Tonal Motion by Paolo Ammirante, William Forde Thompson
Published 2011-01-01
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Rhythmic Chanting and Mystical States across Traditions by Gemma Perry, Vince Polito, William Forde Thompson
Published 2021-01-01
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Assessing Vocal Chanting as an Online Psychosocial Intervention by Felicity Maria Simpson, Gemma Perry, William Forde Thompson
Published 2021-06-01
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Implicit violent imagery processing among fans and non-fans of music with violent themes by Yanan Sun, Xuejing Lu, Mark Williams, William Forde Thompson
Published 2019-03-01
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Music Performance by Peter E. Keller, Simone Dalla Bella, William Forde Thompson
Published 2006-01-01
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How Chanting Relates to Cognitive Function, Altered States and Quality of Life by Gemma Perry, Vince Polito, Narayan Sankaran, William Forde Thompson
Published 2022-10-01
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Openness to World Music Predicts Adaptation to a New Culture among Student Sojourners by Yixue Quan, Kirk N. Olsen, Weiyi Ma, William Forde Thompson
Published 2023-11-01
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The mechanism of speech processing in congenital amusia: evidence from Mandarin speakers. by Fang Liu, Cunmei Jiang, William Forde Thompson, Yi Xu, Yufang Yang, Lauren Stewart
Published 2012-01-01
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