Buddhism, Copying, and the Art of the Imagination in Thailand

This article theorizes new urban religio-scapes in metropolitan Bangkok, a city space of contradictory modernities. Here, I look at two contrasting Buddhist monastic spaces of sanctity from periods of fieldwork between 1998 and 2002. Firstly, as found in the modern semblance of order and discipline...

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Main Author: Jim Taylor
Format: Article
Language:English
Published: Society for the Study of Global Buddhism 2015-02-01
Series:Journal of Global Buddhism
Online Access:http://www.globalbuddhism.org/jgb/index.php/jgb/article/view/80
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author Jim Taylor
author_facet Jim Taylor
author_sort Jim Taylor
collection DOAJ
description This article theorizes new urban religio-scapes in metropolitan Bangkok, a city space of contradictory modernities. Here, I look at two contrasting Buddhist monastic spaces of sanctity from periods of fieldwork between 1998 and 2002. Firstly, as found in the modern semblance of order and discipline at the radically neo-conservative Dhammakaya Movement (lit. “Body of Dhamma”). Secondly, the chaotic, disordered flamboyant and kitsch space of the Sanam Chan Monastery on the outskirts of the ever-expanding Thai post-metropolis, which has similarities with the consumerist contemporary “Buddhist” feature art of the arcades and shopping centres. I argue that Wat (Monastery) Sanam Chan is a postmodern representation of sanctity; it is a response to modernity, while Dhammakaya, aside from its immense spectacle, reflects more the essentialist conditions inherent in modernity. Nevertheless, it is clear that both spaces of sanctity challenge the established religious hierarchy, its perceived orthodoxy, legitimation and the ethical bases of civic religion in Thailand.
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spelling doaj.art-000302d5dc504b8393dab54e9215ab942022-12-22T03:57:17ZengSociety for the Study of Global BuddhismJournal of Global Buddhism1527-64572015-02-018011981Buddhism, Copying, and the Art of the Imagination in ThailandJim Taylor0University of AdelaideThis article theorizes new urban religio-scapes in metropolitan Bangkok, a city space of contradictory modernities. Here, I look at two contrasting Buddhist monastic spaces of sanctity from periods of fieldwork between 1998 and 2002. Firstly, as found in the modern semblance of order and discipline at the radically neo-conservative Dhammakaya Movement (lit. “Body of Dhamma”). Secondly, the chaotic, disordered flamboyant and kitsch space of the Sanam Chan Monastery on the outskirts of the ever-expanding Thai post-metropolis, which has similarities with the consumerist contemporary “Buddhist” feature art of the arcades and shopping centres. I argue that Wat (Monastery) Sanam Chan is a postmodern representation of sanctity; it is a response to modernity, while Dhammakaya, aside from its immense spectacle, reflects more the essentialist conditions inherent in modernity. Nevertheless, it is clear that both spaces of sanctity challenge the established religious hierarchy, its perceived orthodoxy, legitimation and the ethical bases of civic religion in Thailand.http://www.globalbuddhism.org/jgb/index.php/jgb/article/view/80
spellingShingle Jim Taylor
Buddhism, Copying, and the Art of the Imagination in Thailand
Journal of Global Buddhism
title Buddhism, Copying, and the Art of the Imagination in Thailand
title_full Buddhism, Copying, and the Art of the Imagination in Thailand
title_fullStr Buddhism, Copying, and the Art of the Imagination in Thailand
title_full_unstemmed Buddhism, Copying, and the Art of the Imagination in Thailand
title_short Buddhism, Copying, and the Art of the Imagination in Thailand
title_sort buddhism copying and the art of the imagination in thailand
url http://www.globalbuddhism.org/jgb/index.php/jgb/article/view/80
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