Les métiers du fromage dans la peinture alpine à la fin du Moyen Âge : production et réception d’images du travail paysan

A lot of wall paintings demonstrates a complex representation of work during the Late Medieval and the Early Modern periods in Occidental Europe. In the Western Alps, sacred and secular images use the agricultural professional world as a “background” scenery, a lively landscape to help anchor the ex...

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Bibliographic Details
Main Author: Marianne Cailloux
Format: Article
Language:fra
Published: Université de Poitiers 2023-07-01
Series:Images du Travail, Travail des Images
Subjects:
Online Access:http://journals.openedition.org/itti/4052
Description
Summary:A lot of wall paintings demonstrates a complex representation of work during the Late Medieval and the Early Modern periods in Occidental Europe. In the Western Alps, sacred and secular images use the agricultural professional world as a “background” scenery, a lively landscape to help anchor the extraordinary lives of famous characters (like saints and elders) within the day-to-day reality. Various Piemontese examples allow one to analyse how the Quattrocento painters represent work – for example the characteristic Alpine cheesemongers. These images picture a form of specialisation from the artists with a precise knowledge of professional techniques and a shared alpine culture with their commissioners. Through legend or sanctification, the depictions illustrate finally an appreciation of the worker and their tasks, reaching a socio-political dimension and defining a certain idea of what work was supposed to be at that time.
ISSN:2778-8628