Linear, Narrative-Plot Development in the Song of Songs – Part Two

This article examines the linear, narrative-plot development in the Song of Songs. Evidence is first given supporting several hermeneutical presuppositions which underpin this study: (1) the unity of the Song, revealed especially in its exquisitely designed symmetrical literary macrostructure; (2)...

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Main Author: Richard M. Davidson
Format: Article
Language:English
Published: Editura Universității Adventus 2016-12-01
Series:TheoRhēma
Subjects:
Online Access:https://publications.uadventus.ro/index.php/thrh/article/view/97
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author Richard M. Davidson
author_facet Richard M. Davidson
author_sort Richard M. Davidson
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description This article examines the linear, narrative-plot development in the Song of Songs. Evidence is first given supporting several hermeneutical presuppositions which underpin this study: (1) the unity of the Song, revealed especially in its exquisitely designed symmetrical literary macrostructure; (2) Solomonic authorship of the Song, written early in his reign while he was still monogamous; (3) King Solomon and Pharaoh’s daughter (Shulamit) as the couple in the Song; and (4) a literal (not allegorical) interpretation of the Song as human love poetry. Building upon these presuppositions, this article explores text-indicators for the historical narrative-plot progression of the Song, building largely upon clues found by comparing the matching sections of the literary macrostructure. It is concluded that the Song presents a seven-part impressionistic historical progression of the ever-increasing intimacy in the love relationship between Solomon and Shulamit.
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spelling doaj.art-0078cad15b7242ea9456d4195f0343de2023-05-22T07:55:23ZengEditura Universității AdventusTheoRhēma1842-06132784-26652016-12-01112Linear, Narrative-Plot Development in the Song of Songs – Part TwoRichard M. Davidson0PhD, Andrews University, Berrien Springs, MI, USA This article examines the linear, narrative-plot development in the Song of Songs. Evidence is first given supporting several hermeneutical presuppositions which underpin this study: (1) the unity of the Song, revealed especially in its exquisitely designed symmetrical literary macrostructure; (2) Solomonic authorship of the Song, written early in his reign while he was still monogamous; (3) King Solomon and Pharaoh’s daughter (Shulamit) as the couple in the Song; and (4) a literal (not allegorical) interpretation of the Song as human love poetry. Building upon these presuppositions, this article explores text-indicators for the historical narrative-plot progression of the Song, building largely upon clues found by comparing the matching sections of the literary macrostructure. It is concluded that the Song presents a seven-part impressionistic historical progression of the ever-increasing intimacy in the love relationship between Solomon and Shulamit. https://publications.uadventus.ro/index.php/thrh/article/view/97Song of Songssexualitymarriageliterary macrostructurelovemarital counseling
spellingShingle Richard M. Davidson
Linear, Narrative-Plot Development in the Song of Songs – Part Two
TheoRhēma
Song of Songs
sexuality
marriage
literary macrostructure
love
marital counseling
title Linear, Narrative-Plot Development in the Song of Songs – Part Two
title_full Linear, Narrative-Plot Development in the Song of Songs – Part Two
title_fullStr Linear, Narrative-Plot Development in the Song of Songs – Part Two
title_full_unstemmed Linear, Narrative-Plot Development in the Song of Songs – Part Two
title_short Linear, Narrative-Plot Development in the Song of Songs – Part Two
title_sort linear narrative plot development in the song of songs part two
topic Song of Songs
sexuality
marriage
literary macrostructure
love
marital counseling
url https://publications.uadventus.ro/index.php/thrh/article/view/97
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