Mit urody a Najbrzydsza kobieta świata Olgi Tokarczuk

Gender theory concerns most areas of woman‘s existence in a society and an artistic text is one of many subject manifestations, which may and is likely to influence public opinions. After the period of literature dominated by heroines fighting for the rights, the woman­‑provocateurs came to set free...

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Main Author: Ivana Slivková
Format: Article
Language:English
Published: University of Silesia Press 2020-09-01
Series:Postscriptum Polonistyczne
Subjects:
Online Access:https://www.journals.us.edu.pl/index.php/PPol/article/view/9894
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author Ivana Slivková
author_facet Ivana Slivková
author_sort Ivana Slivková
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description Gender theory concerns most areas of woman‘s existence in a society and an artistic text is one of many subject manifestations, which may and is likely to influence public opinions. After the period of literature dominated by heroines fighting for the rights, the woman­‑provocateurs came to set free not only their bodies, but also their souls. Apart from the male–female relations (gender theory), Olga Tokarczuk’s short story Najbrzydsza kobieta świata (tr. The Ugliest Woman of World) reveals various aspects of women’s writing, in particular – the aesthetics of ugliness. Within this milieu, the ugliness is locked in two stands: 1. the direct characteristics of the ugliest woman in the world and 2. the shocking element of the suffering aesthetics, namely, the exposure of woman by the others.
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spelling doaj.art-00892ee9804a4ef6a6cded9b705751cb2022-12-22T04:07:47ZengUniversity of Silesia PressPostscriptum Polonistyczne1898-15932353-98442020-09-01202Mit urody a Najbrzydsza kobieta świata Olgi TokarczukIvana Slivková0PhD., Katedra stredoeurópskych štúdií, Filozofická fakulta, Prešovska univerzita v Prešove, Słowacja.Gender theory concerns most areas of woman‘s existence in a society and an artistic text is one of many subject manifestations, which may and is likely to influence public opinions. After the period of literature dominated by heroines fighting for the rights, the woman­‑provocateurs came to set free not only their bodies, but also their souls. Apart from the male–female relations (gender theory), Olga Tokarczuk’s short story Najbrzydsza kobieta świata (tr. The Ugliest Woman of World) reveals various aspects of women’s writing, in particular – the aesthetics of ugliness. Within this milieu, the ugliness is locked in two stands: 1. the direct characteristics of the ugliest woman in the world and 2. the shocking element of the suffering aesthetics, namely, the exposure of woman by the others.https://www.journals.us.edu.pl/index.php/PPol/article/view/9894womanbeauty mythstereotypeTokarczuk
spellingShingle Ivana Slivková
Mit urody a Najbrzydsza kobieta świata Olgi Tokarczuk
Postscriptum Polonistyczne
woman
beauty myth
stereotype
Tokarczuk
title Mit urody a Najbrzydsza kobieta świata Olgi Tokarczuk
title_full Mit urody a Najbrzydsza kobieta świata Olgi Tokarczuk
title_fullStr Mit urody a Najbrzydsza kobieta świata Olgi Tokarczuk
title_full_unstemmed Mit urody a Najbrzydsza kobieta świata Olgi Tokarczuk
title_short Mit urody a Najbrzydsza kobieta świata Olgi Tokarczuk
title_sort mit urody a najbrzydsza kobieta swiata olgi tokarczuk
topic woman
beauty myth
stereotype
Tokarczuk
url https://www.journals.us.edu.pl/index.php/PPol/article/view/9894
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