«ICH STEIG’ AN’S LAND, NICHT OHNE FURCHT UND ZAGEN», OVVERO L’ARRIVO A VENEZIA DI AUGUST VON PLATEN E L’INIZIO DEI SONETTI VENEZIANI

In Italy, and in particular in Venice, August von Platen Hallermünde spent long periods and wrote a large number of works. In 1825 he published the Sonette aus Venedig (Sonetti Veneziani) in Erlangen. The first part of the paper provides a general introduction to the relations between Platen and Ita...

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Main Author: Serena Spazzarini
Format: Article
Language:English
Published: Edizioni Sinestesie 2018-01-01
Series:Sinestesieonline
Subjects:
Online Access:http://sinestesieonline.it/wp-content/uploads/2018/02/Spazzarini.pdf
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author Serena Spazzarini
author_facet Serena Spazzarini
author_sort Serena Spazzarini
collection DOAJ
description In Italy, and in particular in Venice, August von Platen Hallermünde spent long periods and wrote a large number of works. In 1825 he published the Sonette aus Venedig (Sonetti Veneziani) in Erlangen. The first part of the paper provides a general introduction to the relations between Platen and Italy and summarizes the «complicated» genesis of this poetical cycle. The second part focuses in more details on a linguistic and rhetorical analysis of the sequence’s first sonnet. Finally, the third part proposes a reflection on possible similarities between the narrative structure of Platen’s sonnets and Thomas Mann’s Death in Venice.
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spelling doaj.art-00aa0bb2f9394a3c988f9f6ea6d4b1772022-12-22T03:11:29ZengEdizioni SinestesieSinestesieonline2280-68492018-01-01229210210.14273/unisa-1061«ICH STEIG’ AN’S LAND, NICHT OHNE FURCHT UND ZAGEN», OVVERO L’ARRIVO A VENEZIA DI AUGUST VON PLATEN E L’INIZIO DEI SONETTI VENEZIANISerena Spazzarini0Università di GenovaIn Italy, and in particular in Venice, August von Platen Hallermünde spent long periods and wrote a large number of works. In 1825 he published the Sonette aus Venedig (Sonetti Veneziani) in Erlangen. The first part of the paper provides a general introduction to the relations between Platen and Italy and summarizes the «complicated» genesis of this poetical cycle. The second part focuses in more details on a linguistic and rhetorical analysis of the sequence’s first sonnet. Finally, the third part proposes a reflection on possible similarities between the narrative structure of Platen’s sonnets and Thomas Mann’s Death in Venice.http://sinestesieonline.it/wp-content/uploads/2018/02/Spazzarini.pdfThomas Mann
spellingShingle Serena Spazzarini
«ICH STEIG’ AN’S LAND, NICHT OHNE FURCHT UND ZAGEN», OVVERO L’ARRIVO A VENEZIA DI AUGUST VON PLATEN E L’INIZIO DEI SONETTI VENEZIANI
Sinestesieonline
Thomas Mann
title «ICH STEIG’ AN’S LAND, NICHT OHNE FURCHT UND ZAGEN», OVVERO L’ARRIVO A VENEZIA DI AUGUST VON PLATEN E L’INIZIO DEI SONETTI VENEZIANI
title_full «ICH STEIG’ AN’S LAND, NICHT OHNE FURCHT UND ZAGEN», OVVERO L’ARRIVO A VENEZIA DI AUGUST VON PLATEN E L’INIZIO DEI SONETTI VENEZIANI
title_fullStr «ICH STEIG’ AN’S LAND, NICHT OHNE FURCHT UND ZAGEN», OVVERO L’ARRIVO A VENEZIA DI AUGUST VON PLATEN E L’INIZIO DEI SONETTI VENEZIANI
title_full_unstemmed «ICH STEIG’ AN’S LAND, NICHT OHNE FURCHT UND ZAGEN», OVVERO L’ARRIVO A VENEZIA DI AUGUST VON PLATEN E L’INIZIO DEI SONETTI VENEZIANI
title_short «ICH STEIG’ AN’S LAND, NICHT OHNE FURCHT UND ZAGEN», OVVERO L’ARRIVO A VENEZIA DI AUGUST VON PLATEN E L’INIZIO DEI SONETTI VENEZIANI
title_sort ich steig an s land nicht ohne furcht und zagen ovvero l arrivo a venezia di august von platen e l inizio dei sonetti veneziani
topic Thomas Mann
url http://sinestesieonline.it/wp-content/uploads/2018/02/Spazzarini.pdf
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