"Disembedded" Buddhism in a Techno-Global Cosmology: The Case of Spike Jonze’s Film Her (2013)

This essay explores the subtle but key influence of Buddhist ideas in Spike Jonze’s highly successful 2013 film Her, which reflects the currents of disembedded Buddhism woven through ostensibly non-Buddhist cultural spaces and texts, engaging with contemporary social concerns. In Her they manifest...

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Main Author: Jesse Barker
Format: Article
Language:English
Published: Society for the Study of Global Buddhism 2022-07-01
Series:Journal of Global Buddhism
Subjects:
Online Access:https://www.globalbuddhism.org/article/view/1993
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author Jesse Barker
author_facet Jesse Barker
author_sort Jesse Barker
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description This essay explores the subtle but key influence of Buddhist ideas in Spike Jonze’s highly successful 2013 film Her, which reflects the currents of disembedded Buddhism woven through ostensibly non-Buddhist cultural spaces and texts, engaging with contemporary social concerns. In Her they manifest most surprisingly in the character of Samantha, an artificially-intelligent consciousness that transcends the limitations of ego-based thought. Like the Buddha, Samantha has capacities that extend beyond the reach of ordinary humans, and by imagining these extraordinary powers of thought we are provided a glimpse of an absolute reality beyond our experience of the everyday. In this sense Her’s techno-global cosmology parallels miraculous aspects of the Buddha that are embedded in premodern cosmologies.
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spelling doaj.art-01ad9f9fc4f2454d948da4c5d61c81912022-12-22T02:39:28ZengSociety for the Study of Global BuddhismJournal of Global Buddhism1527-64572022-07-0123110.26034/lu.jgb.2022.1993"Disembedded" Buddhism in a Techno-Global Cosmology: The Case of Spike Jonze’s Film Her (2013)Jesse Barker0University of Aberdeen This essay explores the subtle but key influence of Buddhist ideas in Spike Jonze’s highly successful 2013 film Her, which reflects the currents of disembedded Buddhism woven through ostensibly non-Buddhist cultural spaces and texts, engaging with contemporary social concerns. In Her they manifest most surprisingly in the character of Samantha, an artificially-intelligent consciousness that transcends the limitations of ego-based thought. Like the Buddha, Samantha has capacities that extend beyond the reach of ordinary humans, and by imagining these extraordinary powers of thought we are provided a glimpse of an absolute reality beyond our experience of the everyday. In this sense Her’s techno-global cosmology parallels miraculous aspects of the Buddha that are embedded in premodern cosmologies. https://www.globalbuddhism.org/article/view/1993Alan Wattsartificial intelligenceBuddhist cosmologiesBuddhist modernismHerSpike Jonze
spellingShingle Jesse Barker
"Disembedded" Buddhism in a Techno-Global Cosmology: The Case of Spike Jonze’s Film Her (2013)
Journal of Global Buddhism
Alan Watts
artificial intelligence
Buddhist cosmologies
Buddhist modernism
Her
Spike Jonze
title "Disembedded" Buddhism in a Techno-Global Cosmology: The Case of Spike Jonze’s Film Her (2013)
title_full "Disembedded" Buddhism in a Techno-Global Cosmology: The Case of Spike Jonze’s Film Her (2013)
title_fullStr "Disembedded" Buddhism in a Techno-Global Cosmology: The Case of Spike Jonze’s Film Her (2013)
title_full_unstemmed "Disembedded" Buddhism in a Techno-Global Cosmology: The Case of Spike Jonze’s Film Her (2013)
title_short "Disembedded" Buddhism in a Techno-Global Cosmology: The Case of Spike Jonze’s Film Her (2013)
title_sort disembedded buddhism in a techno global cosmology the case of spike jonze s film her 2013
topic Alan Watts
artificial intelligence
Buddhist cosmologies
Buddhist modernism
Her
Spike Jonze
url https://www.globalbuddhism.org/article/view/1993
work_keys_str_mv AT jessebarker disembeddedbuddhisminatechnoglobalcosmologythecaseofspikejonzesfilmher2013