Godard and Sound: Acoustic Innovation in the Late Films of Jean-Luc Godard by Albertine Fox
Enfant terrible, celluloid deity,and self-construed “composer” of film, Jean-Luc Godard requires scant introduction in any undertaking that concerns the on-screen arts. Over the course of a multidecade career, the French-Swiss director/screenwriter/ critic has solidly fastened his cinematic omnipote...
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| Formato: | Artículo |
| Lenguaje: | English |
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University College Cork
2019-01-01
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| Colección: | Alphaville: Journal of Film and Screen Media |
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| Acceso en línea: | http://www.alphavillejournal.com/Issue16/HTML/ReviewWalsh.html |