The Imperial Design and Shakespeare

My paper aims at showing that Shakespeare worked within an imperial paradigm. The basis for saying so is that in Europe, starting with the ancient Greece, the idea of the empire was pre-formulated before the establishment of an empire. That is. the empire was invented before it was actualized. The...

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Main Author: Mohit Ul Alam
Format: Article
Language:English
Published: ULAB Press 2009-09-01
Series:Crossings
Online Access:https://journals.ulab.edu.bd/index.php/crossings/article/view/403
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author Mohit Ul Alam
author_facet Mohit Ul Alam
author_sort Mohit Ul Alam
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description My paper aims at showing that Shakespeare worked within an imperial paradigm. The basis for saying so is that in Europe, starting with the ancient Greece, the idea of the empire was pre-formulated before the establishment of an empire. That is. the empire was invented before it was actualized. The Greeks, followed by the Romans, read the map of the world from a moral premise. They imagined an empire with Athens as the centre, implying that the lands away from the centre were the locations for barbarians, who were morally inferior and bestial. Such a view of the empire has been called ‘poetic geography’ by Gimabattista Vico, an eighteenth-century philosopher. My point is that the poetic geography was not only created by the Greeks and the Romans in respect of their empires, but the English also had pursued a poetic geography before the English/British Empire took shape. In this pursuit Shakespeare had been used as an agency to further the imperial cause. But Shakespeare had been at best a double-edged agency, because while he was found useful in pushing the imperial agenda he also became the site of resistance for the colonized.
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spelling doaj.art-01b20a92967746d79d932607cbdc8d772023-10-16T04:23:20ZengULAB PressCrossings2071-11072958-31792009-09-012110.59817/cjes.v2i1.403The Imperial Design and ShakespeareMohit Ul Alam0Professor and Head. Department of English and Humanities. University of Liberal Arts Bangladesh. Dhaka My paper aims at showing that Shakespeare worked within an imperial paradigm. The basis for saying so is that in Europe, starting with the ancient Greece, the idea of the empire was pre-formulated before the establishment of an empire. That is. the empire was invented before it was actualized. The Greeks, followed by the Romans, read the map of the world from a moral premise. They imagined an empire with Athens as the centre, implying that the lands away from the centre were the locations for barbarians, who were morally inferior and bestial. Such a view of the empire has been called ‘poetic geography’ by Gimabattista Vico, an eighteenth-century philosopher. My point is that the poetic geography was not only created by the Greeks and the Romans in respect of their empires, but the English also had pursued a poetic geography before the English/British Empire took shape. In this pursuit Shakespeare had been used as an agency to further the imperial cause. But Shakespeare had been at best a double-edged agency, because while he was found useful in pushing the imperial agenda he also became the site of resistance for the colonized. https://journals.ulab.edu.bd/index.php/crossings/article/view/403
spellingShingle Mohit Ul Alam
The Imperial Design and Shakespeare
Crossings
title The Imperial Design and Shakespeare
title_full The Imperial Design and Shakespeare
title_fullStr The Imperial Design and Shakespeare
title_full_unstemmed The Imperial Design and Shakespeare
title_short The Imperial Design and Shakespeare
title_sort imperial design and shakespeare
url https://journals.ulab.edu.bd/index.php/crossings/article/view/403
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