En el balcón vacío y el tiempo-memoria en el cine de la segunda generación del exilio español
This paper proposes the study of the film On the Empty Balcony (En el balcón vacío, García Ascot, 1961), based on the work of María Luisa Elío Bernal (screenwriter & leading role), regarding the meaning of the exile for the second generation of the Spanish exile in Mexico. The film shows, on the...
| Main Author: | |
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| Format: | Article |
| Language: | English |
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Prof. Dr. Vittoria Borsò, Prof. Dr. Frank Leinen, Jun.-Prof. Dr. Yasmin Temelli, Prof. Dr. Guido Rings
2023-02-01
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| Series: | iMex. México Interdisciplinario/Interdisciplinary Mexico |
| Subjects: | |
| Online Access: | https://www.imex-revista.com/xxiii-el-tiempo-memoria-en-el-cine-del-exilio/ |
| _version_ | 1797942648160387072 |
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| author | Andrea Luquin Calvo |
| author_facet | Andrea Luquin Calvo |
| author_sort | Andrea Luquin Calvo |
| collection | DOAJ |
| description | This paper proposes the study of the film On the Empty Balcony (En el balcón vacío, García Ascot, 1961), based on the work of María Luisa Elío Bernal (screenwriter & leading role), regarding the meaning of the exile for the second generation of the Spanish exile in Mexico. The film shows, on the one hand, the tensions between the memory of this generation and the family and republican remembrance, and on the other hand, the tensions generated in the construction of their own identity. The film shows how the «nepantla» generation feels living on a time with no chance of having a self-sense of identity. The structure of the film focuses on the construction of the time-memory of the second generation of Spanish exile, through delirium experiences from the main character. Such delirium emerges (in the film as in Elío’s literature), as the only possible form of relationship with the reality and memory. The delirum as a form of utterance of the so called Hispano-Mexican generation, on which is built their own identity. |
| first_indexed | 2024-04-10T20:10:49Z |
| format | Article |
| id | doaj.art-01b292554bcd439aa945d2a776ddd258 |
| institution | Directory Open Access Journal |
| issn | 2193-9756 |
| language | English |
| last_indexed | 2024-04-10T20:10:49Z |
| publishDate | 2023-02-01 |
| publisher | Prof. Dr. Vittoria Borsò, Prof. Dr. Frank Leinen, Jun.-Prof. Dr. Yasmin Temelli, Prof. Dr. Guido Rings |
| record_format | Article |
| series | iMex. México Interdisciplinario/Interdisciplinary Mexico |
| spelling | doaj.art-01b292554bcd439aa945d2a776ddd2582023-01-26T10:55:47ZengProf. Dr. Vittoria Borsò, Prof. Dr. Frank Leinen, Jun.-Prof. Dr. Yasmin Temelli, Prof. Dr. Guido RingsiMex. México Interdisciplinario/Interdisciplinary Mexico2193-97562023-02-0112239911010.23692/iMex.23.6En el balcón vacío y el tiempo-memoria en el cine de la segunda generación del exilio españolAndrea Luquin Calvo0Universidad Internacional de ValenciaThis paper proposes the study of the film On the Empty Balcony (En el balcón vacío, García Ascot, 1961), based on the work of María Luisa Elío Bernal (screenwriter & leading role), regarding the meaning of the exile for the second generation of the Spanish exile in Mexico. The film shows, on the one hand, the tensions between the memory of this generation and the family and republican remembrance, and on the other hand, the tensions generated in the construction of their own identity. The film shows how the «nepantla» generation feels living on a time with no chance of having a self-sense of identity. The structure of the film focuses on the construction of the time-memory of the second generation of Spanish exile, through delirium experiences from the main character. Such delirium emerges (in the film as in Elío’s literature), as the only possible form of relationship with the reality and memory. The delirum as a form of utterance of the so called Hispano-Mexican generation, on which is built their own identity.https://www.imex-revista.com/xxiii-el-tiempo-memoria-en-el-cine-del-exilio/memorysecond spanish exileen el balcón vacíotimeidentity |
| spellingShingle | Andrea Luquin Calvo En el balcón vacío y el tiempo-memoria en el cine de la segunda generación del exilio español iMex. México Interdisciplinario/Interdisciplinary Mexico memory second spanish exile en el balcón vacío time identity |
| title | En el balcón vacío y el tiempo-memoria en el cine de la segunda generación del exilio español |
| title_full | En el balcón vacío y el tiempo-memoria en el cine de la segunda generación del exilio español |
| title_fullStr | En el balcón vacío y el tiempo-memoria en el cine de la segunda generación del exilio español |
| title_full_unstemmed | En el balcón vacío y el tiempo-memoria en el cine de la segunda generación del exilio español |
| title_short | En el balcón vacío y el tiempo-memoria en el cine de la segunda generación del exilio español |
| title_sort | en el balcon vacio y el tiempo memoria en el cine de la segunda generacion del exilio espanol |
| topic | memory second spanish exile en el balcón vacío time identity |
| url | https://www.imex-revista.com/xxiii-el-tiempo-memoria-en-el-cine-del-exilio/ |
| work_keys_str_mv | AT andrealuquincalvo enelbalconvacioyeltiempomemoriaenelcinedelasegundageneraciondelexilioespanol |