| Summary: | Crafting a digital reconstruction of a lost space is a process of rediscovery and exploration. The nature of the evidence determines the form of the reconstruction, providing a sketch of what is known about the space. The process of reconstruction itself, however, reveals a map of what is unknown about the space. How the known and the unknown are negotiated by reconstruction yields insights and new questions about even well-investigated lost spaces such as the Chapel of St Stephen, Palace of Westminster, and its subsequent reincarnation as the Chamber of the House of Commons. This article presents a primer of techniques for computer-based reconstructions and, through case studies from the St Stephen’s project, details how evidence and gaps in that evidence work together to create a vision of the past.
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