Periodización historiográfica y dogmas estéticos: un ejercicio sobre villancicos coloniales

The standard periodization of European music history is hardly applicable to colonial American repertoires. Nevertheless, those stylistic labels have never ceased to work, explicitly or implicitly, as general concepts that anchor historical narratives. In this paper I attempt a contribution to the f...

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Main Author: Leonardo J. Waisman
Format: Article
Language:English
Published: Pontificia Universidad Católica de Chile 2016-06-01
Series:Resonancias
Subjects:
Online Access:https://resonancias.uc.cl/n-38/periodizacion-historiografica-y-dogmas-esteticos-un-ejercicio-sobre-villancicos-coloniales/
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author Leonardo J. Waisman
author_facet Leonardo J. Waisman
author_sort Leonardo J. Waisman
collection DOAJ
description The standard periodization of European music history is hardly applicable to colonial American repertoires. Nevertheless, those stylistic labels have never ceased to work, explicitly or implicitly, as general concepts that anchor historical narratives. In this paper I attempt a contribution to the formulation of styles (understood as ideal types) through a probe-like approach. Representative examples of a couple of important American repertoires (chanzonetas by Gaspar Fernández and villancicos by Juan Gutiérrez de Padilla) are analyzed for the sake of inducing some aesthetic principles central to their respective poetics. These are then confronted with the labels usually employed in our colonized musicology: "Renaissance" for the first, "Baroque" for the second.
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spelling doaj.art-025e3505bef44226967dcf3b365e5a302023-11-29T00:20:00ZengPontificia Universidad Católica de ChileResonancias0717-34740719-57022016-06-012038556910.7764/res.2016.38.4Periodización historiográfica y dogmas estéticos: un ejercicio sobre villancicos colonialesLeonardo J. Waisman0CONICET-Universidad Nacional de CórdobaThe standard periodization of European music history is hardly applicable to colonial American repertoires. Nevertheless, those stylistic labels have never ceased to work, explicitly or implicitly, as general concepts that anchor historical narratives. In this paper I attempt a contribution to the formulation of styles (understood as ideal types) through a probe-like approach. Representative examples of a couple of important American repertoires (chanzonetas by Gaspar Fernández and villancicos by Juan Gutiérrez de Padilla) are analyzed for the sake of inducing some aesthetic principles central to their respective poetics. These are then confronted with the labels usually employed in our colonized musicology: "Renaissance" for the first, "Baroque" for the second.https://resonancias.uc.cl/n-38/periodizacion-historiografica-y-dogmas-esteticos-un-ejercicio-sobre-villancicos-coloniales/periodizationmusical stylegaspar fernándezjuan gutiérrrez de padilla
spellingShingle Leonardo J. Waisman
Periodización historiográfica y dogmas estéticos: un ejercicio sobre villancicos coloniales
Resonancias
periodization
musical style
gaspar fernández
juan gutiérrrez de padilla
title Periodización historiográfica y dogmas estéticos: un ejercicio sobre villancicos coloniales
title_full Periodización historiográfica y dogmas estéticos: un ejercicio sobre villancicos coloniales
title_fullStr Periodización historiográfica y dogmas estéticos: un ejercicio sobre villancicos coloniales
title_full_unstemmed Periodización historiográfica y dogmas estéticos: un ejercicio sobre villancicos coloniales
title_short Periodización historiográfica y dogmas estéticos: un ejercicio sobre villancicos coloniales
title_sort periodizacion historiografica y dogmas esteticos un ejercicio sobre villancicos coloniales
topic periodization
musical style
gaspar fernández
juan gutiérrrez de padilla
url https://resonancias.uc.cl/n-38/periodizacion-historiografica-y-dogmas-esteticos-un-ejercicio-sobre-villancicos-coloniales/
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