| Summary: | <p class="PARABIBLIOGRAFA">Este trabajo procura desentrañar el significado simbólico de la obra capital de Maurice Maeterlinck <em>Pelléas et Mélisande</em>, atendiendo a las aportaciones que debemos a Gaston Bachelard, en cuanto a las asociaciones de imágenes y símbolos en la literatura; a Mircea Eliade en lo que respecta a la permanencia histórica de símbolos en la historia de la de la psique humana; y muy especialmente a los planteamientos de la poética del imaginario, con especial atención a la obra de Gilbert Durand <em>Las estructuras antropológicas de lo imaginario</em>.</p><p class="PARABIBLIOGRAFA"><strong> </strong></p><p class="PARABIBLIOGRAFA"><strong>Palabras clave:</strong> Maeterlinck. Pelléas et Mélisande. Psicocrítica. Mitocrítica. Poética de lo imaginario.</p><p class="PARABIBLIOGRAFA">Abstract</p><p class="PARABIBLIOGRAFA">This paper’s goal is to figure out the symbolic meaning of Maurice Maeterlinck’s <em>opera magna</em> <em>Pelléas et Mélisande</em> according to Gaston Bachelard, Mircea Eliade and Gilbert Durand’s theoretical approaches. Concerning Bachelard, we will pay attention to his analysis of the relation between images and symbols in literature; we will also take into account Eliade’s theory of the consistency of symbols along the history of human psyche; and we will particularly consider Durand’s Poetic of the Imagining approach and his work <em>The Anthropological Structures of the Imaginary</em>.</p><p class="PARABIBLIOGRAFA"><strong> </strong></p><p class="PARABIBLIOGRAFA"><strong>Key words</strong>: Maeterlinck. Pelléas et Mélisande. Psychoanalytic-Criticism. Myth-Criticism. Poetics of Imagining.</p><p class="PARABIBLIOGRAFA"> </p>
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