Initial indications for the semiotics of a movie genre: the musical film
This article applies certain indications of method, suggested by Yuri Lotman, concerning how the semiotic effects of a text introduced within another text can work in a movie genre especially prone to such phenomenon: the musical film. In order to study the incidence of said phenomenon, three musica...
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| Format: | Article |
| Language: | English |
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Universidade Federal de Santa Catarina
2012-06-01
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| Series: | Esboços |
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| Online Access: | https://periodicos.ufsc.br/index.php/esbocos/article/view/26766 |
| _version_ | 1818517746517803008 |
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| author | Ciro Flamarion Cardoso |
| author_facet | Ciro Flamarion Cardoso |
| author_sort | Ciro Flamarion Cardoso |
| collection | DOAJ |
| description | This article applies certain indications of method, suggested by Yuri Lotman, concerning how the semiotic effects of a text introduced within another text can work in a movie genre especially prone to such phenomenon: the musical film. In order to study the incidence of said phenomenon, three musical filmes are analysed: South Pacific (Josha Logan, 1958), West Side story (Robert Wise and Jerome Robbins, 1961), and My fair lady (George Cukor, 1964). The analyses are made to show how varied can be the ways in which the hypotheses we derived from Lotman appear; these hypotheses speak of the forms to integrate, or contrarywise to clearly separate, the subtexts which in the film are acted, from those which are sung or danced. |
| first_indexed | 2024-12-11T01:00:26Z |
| format | Article |
| id | doaj.art-02a5be0c4d8c458eaf058614bcff3c48 |
| institution | Directory Open Access Journal |
| issn | 1414-722X 2175-7976 |
| language | English |
| last_indexed | 2024-12-11T01:00:26Z |
| publishDate | 2012-06-01 |
| publisher | Universidade Federal de Santa Catarina |
| record_format | Article |
| series | Esboços |
| spelling | doaj.art-02a5be0c4d8c458eaf058614bcff3c482022-12-22T01:26:20ZengUniversidade Federal de Santa CatarinaEsboços1414-722X2175-79762012-06-011927325410.5007/2175-7976.2012v19n27p3219049Initial indications for the semiotics of a movie genre: the musical filmCiro Flamarion Cardoso0Universidade Federal FluminenseThis article applies certain indications of method, suggested by Yuri Lotman, concerning how the semiotic effects of a text introduced within another text can work in a movie genre especially prone to such phenomenon: the musical film. In order to study the incidence of said phenomenon, three musical filmes are analysed: South Pacific (Josha Logan, 1958), West Side story (Robert Wise and Jerome Robbins, 1961), and My fair lady (George Cukor, 1964). The analyses are made to show how varied can be the ways in which the hypotheses we derived from Lotman appear; these hypotheses speak of the forms to integrate, or contrarywise to clearly separate, the subtexts which in the film are acted, from those which are sung or danced.https://periodicos.ufsc.br/index.php/esbocos/article/view/26766Gênero cinematográficoFilme musicalSemióticaSubtextosYuri Lotman |
| spellingShingle | Ciro Flamarion Cardoso Initial indications for the semiotics of a movie genre: the musical film Esboços Gênero cinematográfico Filme musical Semiótica Subtextos Yuri Lotman |
| title | Initial indications for the semiotics of a movie genre: the musical film |
| title_full | Initial indications for the semiotics of a movie genre: the musical film |
| title_fullStr | Initial indications for the semiotics of a movie genre: the musical film |
| title_full_unstemmed | Initial indications for the semiotics of a movie genre: the musical film |
| title_short | Initial indications for the semiotics of a movie genre: the musical film |
| title_sort | initial indications for the semiotics of a movie genre the musical film |
| topic | Gênero cinematográfico Filme musical Semiótica Subtextos Yuri Lotman |
| url | https://periodicos.ufsc.br/index.php/esbocos/article/view/26766 |
| work_keys_str_mv | AT ciroflamarioncardoso initialindicationsforthesemioticsofamoviegenrethemusicalfilm |