Idealist theories of sport in relation to art

If what can be described as “ideal” in relation to art may be somewhat abstract, then in this article I will apply the basic notion that the ideal is that which links the invisible (thought-content) and visible (the form, “frame”, “vessel”) to that of ideal as it manifests in sport. For, since we ca...

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Main Author: Danny Shorkend
Format: Article
Language:English
Published: Taylor & Francis Group 2018-01-01
Series:Journal of Aesthetics & Culture
Subjects:
Online Access:http://dx.doi.org/10.1080/20004214.2017.1422923
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author Danny Shorkend
author_facet Danny Shorkend
author_sort Danny Shorkend
collection DOAJ
description If what can be described as “ideal” in relation to art may be somewhat abstract, then in this article I will apply the basic notion that the ideal is that which links the invisible (thought-content) and visible (the form, “frame”, “vessel”) to that of ideal as it manifests in sport. For, since we cannot speak intelligibly about x without some image or word, sport “pictures” or shows are an ideal in specific forms, some of which is certainly artistic, rendering a watered-down version of the ideal (abstract), though no less a reflection thereof. In such terms, it is not that sport is “lower” than art; rather it concretizes the abstract in a less intellectual format though no less powerfully and meaningfully. It draws from art and spreads its message downward, as a material framing device of the ideal that satisfies not only a need to relate and socialize, but an intuitive grasp of the hope for a better, more ideal existence. In these respects, sport like art necessarily has moral implications which will be developed toward the close of the article with a view to determining the manner in which the ideal shapes both sport (and art).
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spelling doaj.art-02b3c52f1e8e4b6ea2cb3daaee77f5fb2022-12-22T03:37:11ZengTaylor & Francis GroupJournal of Aesthetics & Culture2000-42142018-01-0110110.1080/20004214.2017.14229231422923Idealist theories of sport in relation to artDanny Shorkend0VEGA School of Brand LeadershipIf what can be described as “ideal” in relation to art may be somewhat abstract, then in this article I will apply the basic notion that the ideal is that which links the invisible (thought-content) and visible (the form, “frame”, “vessel”) to that of ideal as it manifests in sport. For, since we cannot speak intelligibly about x without some image or word, sport “pictures” or shows are an ideal in specific forms, some of which is certainly artistic, rendering a watered-down version of the ideal (abstract), though no less a reflection thereof. In such terms, it is not that sport is “lower” than art; rather it concretizes the abstract in a less intellectual format though no less powerfully and meaningfully. It draws from art and spreads its message downward, as a material framing device of the ideal that satisfies not only a need to relate and socialize, but an intuitive grasp of the hope for a better, more ideal existence. In these respects, sport like art necessarily has moral implications which will be developed toward the close of the article with a view to determining the manner in which the ideal shapes both sport (and art).http://dx.doi.org/10.1080/20004214.2017.1422923Aestheticartsportexistentialism
spellingShingle Danny Shorkend
Idealist theories of sport in relation to art
Journal of Aesthetics & Culture
Aesthetic
art
sport
existentialism
title Idealist theories of sport in relation to art
title_full Idealist theories of sport in relation to art
title_fullStr Idealist theories of sport in relation to art
title_full_unstemmed Idealist theories of sport in relation to art
title_short Idealist theories of sport in relation to art
title_sort idealist theories of sport in relation to art
topic Aesthetic
art
sport
existentialism
url http://dx.doi.org/10.1080/20004214.2017.1422923
work_keys_str_mv AT dannyshorkend idealisttheoriesofsportinrelationtoart