Will Self’s Parallactic Urban/Land-scapes in Walking to Hollywood

This paper addresses the complex relation of identity to site in Walking to Hollywood: Memories Before the Fall. In keeping with the idea of a cityscape rather experienced than observed or depicted from a distance, the analysis of scale, proportions and displacement reveals a complex interplay betwe...

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Main Author: Justine Gonneaud
Format: Article
Language:English
Published: Presses Universitaires de la Méditerranée 2018-12-01
Series:Études Britanniques Contemporaines
Subjects:
Online Access:http://journals.openedition.org/ebc/5183
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author Justine Gonneaud
author_facet Justine Gonneaud
author_sort Justine Gonneaud
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description This paper addresses the complex relation of identity to site in Walking to Hollywood: Memories Before the Fall. In keeping with the idea of a cityscape rather experienced than observed or depicted from a distance, the analysis of scale, proportions and displacement reveals a complex interplay between the urban environment and the perception that shapes it. The perceiving subject’s identity is in turn equally shaped by the post-industrial setting it initially purported to fashion after its own views, in a Möbius strip-manner, coherent with what Slavoj Zizek defines as a ‘parallax view’, characteristic of the experience of contemporary urbanity.
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spelling doaj.art-02ed9da488544c588c60e1f846e6e8a02022-12-22T01:14:03ZengPresses Universitaires de la MéditerranéeÉtudes Britanniques Contemporaines1168-49172271-54442018-12-015510.4000/ebc.5183Will Self’s Parallactic Urban/Land-scapes in Walking to HollywoodJustine GonneaudThis paper addresses the complex relation of identity to site in Walking to Hollywood: Memories Before the Fall. In keeping with the idea of a cityscape rather experienced than observed or depicted from a distance, the analysis of scale, proportions and displacement reveals a complex interplay between the urban environment and the perception that shapes it. The perceiving subject’s identity is in turn equally shaped by the post-industrial setting it initially purported to fashion after its own views, in a Möbius strip-manner, coherent with what Slavoj Zizek defines as a ‘parallax view’, characteristic of the experience of contemporary urbanity.http://journals.openedition.org/ebc/5183Will SelfWalking to HollywoodscalespsychogeographyparallaxSlavoj Zizek
spellingShingle Justine Gonneaud
Will Self’s Parallactic Urban/Land-scapes in Walking to Hollywood
Études Britanniques Contemporaines
Will Self
Walking to Hollywood
scales
psychogeography
parallax
Slavoj Zizek
title Will Self’s Parallactic Urban/Land-scapes in Walking to Hollywood
title_full Will Self’s Parallactic Urban/Land-scapes in Walking to Hollywood
title_fullStr Will Self’s Parallactic Urban/Land-scapes in Walking to Hollywood
title_full_unstemmed Will Self’s Parallactic Urban/Land-scapes in Walking to Hollywood
title_short Will Self’s Parallactic Urban/Land-scapes in Walking to Hollywood
title_sort will self s parallactic urban land scapes in walking to hollywood
topic Will Self
Walking to Hollywood
scales
psychogeography
parallax
Slavoj Zizek
url http://journals.openedition.org/ebc/5183
work_keys_str_mv AT justinegonneaud willselfsparallacticurbanlandscapesinwalkingtohollywood