Will Self’s Parallactic Urban/Land-scapes in Walking to Hollywood
This paper addresses the complex relation of identity to site in Walking to Hollywood: Memories Before the Fall. In keeping with the idea of a cityscape rather experienced than observed or depicted from a distance, the analysis of scale, proportions and displacement reveals a complex interplay betwe...
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Format: | Article |
Language: | English |
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Presses Universitaires de la Méditerranée
2018-12-01
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Series: | Études Britanniques Contemporaines |
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Online Access: | http://journals.openedition.org/ebc/5183 |
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author | Justine Gonneaud |
author_facet | Justine Gonneaud |
author_sort | Justine Gonneaud |
collection | DOAJ |
description | This paper addresses the complex relation of identity to site in Walking to Hollywood: Memories Before the Fall. In keeping with the idea of a cityscape rather experienced than observed or depicted from a distance, the analysis of scale, proportions and displacement reveals a complex interplay between the urban environment and the perception that shapes it. The perceiving subject’s identity is in turn equally shaped by the post-industrial setting it initially purported to fashion after its own views, in a Möbius strip-manner, coherent with what Slavoj Zizek defines as a ‘parallax view’, characteristic of the experience of contemporary urbanity. |
first_indexed | 2024-12-11T08:48:52Z |
format | Article |
id | doaj.art-02ed9da488544c588c60e1f846e6e8a0 |
institution | Directory Open Access Journal |
issn | 1168-4917 2271-5444 |
language | English |
last_indexed | 2024-12-11T08:48:52Z |
publishDate | 2018-12-01 |
publisher | Presses Universitaires de la Méditerranée |
record_format | Article |
series | Études Britanniques Contemporaines |
spelling | doaj.art-02ed9da488544c588c60e1f846e6e8a02022-12-22T01:14:03ZengPresses Universitaires de la MéditerranéeÉtudes Britanniques Contemporaines1168-49172271-54442018-12-015510.4000/ebc.5183Will Self’s Parallactic Urban/Land-scapes in Walking to HollywoodJustine GonneaudThis paper addresses the complex relation of identity to site in Walking to Hollywood: Memories Before the Fall. In keeping with the idea of a cityscape rather experienced than observed or depicted from a distance, the analysis of scale, proportions and displacement reveals a complex interplay between the urban environment and the perception that shapes it. The perceiving subject’s identity is in turn equally shaped by the post-industrial setting it initially purported to fashion after its own views, in a Möbius strip-manner, coherent with what Slavoj Zizek defines as a ‘parallax view’, characteristic of the experience of contemporary urbanity.http://journals.openedition.org/ebc/5183Will SelfWalking to HollywoodscalespsychogeographyparallaxSlavoj Zizek |
spellingShingle | Justine Gonneaud Will Self’s Parallactic Urban/Land-scapes in Walking to Hollywood Études Britanniques Contemporaines Will Self Walking to Hollywood scales psychogeography parallax Slavoj Zizek |
title | Will Self’s Parallactic Urban/Land-scapes in Walking to Hollywood |
title_full | Will Self’s Parallactic Urban/Land-scapes in Walking to Hollywood |
title_fullStr | Will Self’s Parallactic Urban/Land-scapes in Walking to Hollywood |
title_full_unstemmed | Will Self’s Parallactic Urban/Land-scapes in Walking to Hollywood |
title_short | Will Self’s Parallactic Urban/Land-scapes in Walking to Hollywood |
title_sort | will self s parallactic urban land scapes in walking to hollywood |
topic | Will Self Walking to Hollywood scales psychogeography parallax Slavoj Zizek |
url | http://journals.openedition.org/ebc/5183 |
work_keys_str_mv | AT justinegonneaud willselfsparallacticurbanlandscapesinwalkingtohollywood |