L’analyse du film a l’ère numérique. Annotation, geste analytique et lecture active
In 1990 Raymond Bellour defined the practice of film analysis as “an art without future” because of the intrinsically different language it used in relation to its object; specifically, he was referencing oral communication (seminars and teaching classes) and creation through visual arts as the onl...
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| Format: | Article |
| Language: | English |
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Milano University Press
2014-10-01
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| Series: | Cinéma & Cie |
| Online Access: | https://riviste.unimi.it/index.php/cinemaetcie/article/view/16345 |