“Working the art world from within”

Focusing on an internationally little-known artistic scene in Paris, the essay addresses the text-based works of artists such as Lefevre Jean Claude, Philippe Cazal, Claude Rutault, and Philippe Thomas. To what extent is their turn to ambiguity and literary methods at the end of the 1970s shaped by...

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Main Author: Hanna Magauer
Format: Article
Language:deu
Published: arthistoricum.net 2022-01-01
Series:21: Inquiries into Art, History, and the Visual
Subjects:
Online Access:https://journals.ub.uni-heidelberg.de/index.php/xxi/article/view/84190
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author Hanna Magauer
author_facet Hanna Magauer
author_sort Hanna Magauer
collection DOAJ
description Focusing on an internationally little-known artistic scene in Paris, the essay addresses the text-based works of artists such as Lefevre Jean Claude, Philippe Cazal, Claude Rutault, and Philippe Thomas. To what extent is their turn to ambiguity and literary methods at the end of the 1970s shaped by their sociopolitical environment? In what way can it be understood as a link between first-generation institutional critique and 1990s relational practices? Can the motif of a critique “from within” be read socially in their works – as a strategy of artistic self-positioning? Offering an alternative to a reading via the lens of literature and language philosophy, the essay understands these works as network-based, as interlinked with the local and international structures of a competitive art field.
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spelling doaj.art-03212132cbbf4d1aae824064d4c715eb2022-12-21T23:59:06Zdeuarthistoricum.net21: Inquiries into Art, History, and the Visual2701-15692701-15502022-01-012410.11588/xxi.2021.4.84190“Working the art world from within”Hanna MagauerFocusing on an internationally little-known artistic scene in Paris, the essay addresses the text-based works of artists such as Lefevre Jean Claude, Philippe Cazal, Claude Rutault, and Philippe Thomas. To what extent is their turn to ambiguity and literary methods at the end of the 1970s shaped by their sociopolitical environment? In what way can it be understood as a link between first-generation institutional critique and 1990s relational practices? Can the motif of a critique “from within” be read socially in their works – as a strategy of artistic self-positioning? Offering an alternative to a reading via the lens of literature and language philosophy, the essay understands these works as network-based, as interlinked with the local and international structures of a competitive art field.https://journals.ub.uni-heidelberg.de/index.php/xxi/article/view/84190KonzeptkunstPostmoderneNetzwerkSituiertheit1970er Jahre1980er Jahre
spellingShingle Hanna Magauer
“Working the art world from within”
21: Inquiries into Art, History, and the Visual
Konzeptkunst
Postmoderne
Netzwerk
Situiertheit
1970er Jahre
1980er Jahre
title “Working the art world from within”
title_full “Working the art world from within”
title_fullStr “Working the art world from within”
title_full_unstemmed “Working the art world from within”
title_short “Working the art world from within”
title_sort working the art world from within
topic Konzeptkunst
Postmoderne
Netzwerk
Situiertheit
1970er Jahre
1980er Jahre
url https://journals.ub.uni-heidelberg.de/index.php/xxi/article/view/84190
work_keys_str_mv AT hannamagauer workingtheartworldfromwithin