Video Memories of Diaspora: Searching for Identity in Between Homelands

Transcultural studies often theorize third world diaspora from within the dominant Western context, and its relation to the culture of their postcolonial home. This essay takes on a reversed perspective, aiming to examine lmic representations of two young Western subjects in third world count...

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Main Author: Ulrike Mothes
Format: Article
Language:English
Published: Milano University Press 2017-03-01
Series:Cinéma & Cie
Online Access:https://riviste.unimi.it/index.php/cinemaetcie/article/view/16290
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author Ulrike Mothes
author_facet Ulrike Mothes
author_sort Ulrike Mothes
collection DOAJ
description Transcultural studies often theorize third world diaspora from within the dominant Western context, and its relation to the culture of their postcolonial home. This essay takes on a reversed perspective, aiming to examine lmic representations of two young Western subjects in third world countries. The lmmakers Thomas Brück and Bentley Brown spent their formative years as members of Western diaspora families in Mexico and Chad. Using the medium of lm, their work navigates cultures — as the works of certain subaltern immigrant artists and lmmakers in the West do. By analysing their personal documentaries Third Culture Kid and Oustaz, the essay investigates their cinematic means of negotiating transcultural identity across geopolitical borders. Special emphasis is given to the employment of home video material to reconstruct and represent memory.
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spelling doaj.art-03593a9b028b4848a94304bf811525192024-02-15T15:28:21ZengMilano University PressCinéma & Cie2036-461X2017-03-011728Video Memories of Diaspora: Searching for Identity in Between HomelandsUlrike Mothes0Bauhaus University Weimar Transcultural studies often theorize third world diaspora from within the dominant Western context, and its relation to the culture of their postcolonial home. This essay takes on a reversed perspective, aiming to examine lmic representations of two young Western subjects in third world countries. The lmmakers Thomas Brück and Bentley Brown spent their formative years as members of Western diaspora families in Mexico and Chad. Using the medium of lm, their work navigates cultures — as the works of certain subaltern immigrant artists and lmmakers in the West do. By analysing their personal documentaries Third Culture Kid and Oustaz, the essay investigates their cinematic means of negotiating transcultural identity across geopolitical borders. Special emphasis is given to the employment of home video material to reconstruct and represent memory. https://riviste.unimi.it/index.php/cinemaetcie/article/view/16290
spellingShingle Ulrike Mothes
Video Memories of Diaspora: Searching for Identity in Between Homelands
Cinéma & Cie
title Video Memories of Diaspora: Searching for Identity in Between Homelands
title_full Video Memories of Diaspora: Searching for Identity in Between Homelands
title_fullStr Video Memories of Diaspora: Searching for Identity in Between Homelands
title_full_unstemmed Video Memories of Diaspora: Searching for Identity in Between Homelands
title_short Video Memories of Diaspora: Searching for Identity in Between Homelands
title_sort video memories of diaspora searching for identity in between homelands
url https://riviste.unimi.it/index.php/cinemaetcie/article/view/16290
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